Press Release

For Abu Dhabi Art 2023, DE SARTHE is pleased to present Love in Sky House, a solo exhibition by Mak2, featuring a new body of triptychs on canvas from her iconic and ongoing series, Home Sweet Home. To be located in the fair’s Hong Kong Focus sector curated by Chris Wan, this presentation will be the artist’s debut presentation in the United Arab Emirates.

Mak2’s artworks are bound by a dualism of humour and inquisitiveness. Home Sweet Home are triptychs on canvas that the artist composes using the popular life simulation game ‘The Sims’ and fabricates via painters hired from the Chinese e-commerce platform, Taobao.

Alluding to the increasing use of the virtual world as the contemporary way of escapism, the artist constructs bizarre and fantastical environments within “The Sims” that often defy the restrictions of reality, be it social, economic or even physical. In order to materialise the artwork, she then takes a screenshot of the virtual environment, divides the imagery into three parts, and sends each part to a different painter found on Taobao. The painters replicate the received images via paint and brush, unaware that they are each painting but a third of a full composition. Owing to the craftsmen’s different use of palette and techniques, the final triptychs inevitably contain misalignments and color differences between each panel. The disparity between Mak2’s original imagery and the resultant paintings not only elucidate the invariable discrepancy between reality and fantasy, but also crafts a comment on authorship, copy-cat culture, and the layered narratives of home.

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Installation Views

Mak2, DE SARTHE, Abu Dhabi Art, Abu Dhabi (22–26 November 2023). Courtesy DE SARTHE.
Mak2, DE SARTHE, Abu Dhabi Art, Abu Dhabi (22–26 November 2023). Courtesy DE SARTHE.
Mak2, DE SARTHE, Abu Dhabi Art, Abu Dhabi (22–26 November 2023). Courtesy DE SARTHE.
About the Artist

From fruit and balloons to Dyson fans and treadmills, Hong Kong-based artist Mak2 is known for bringing disparate elements together in surprising and unpredictable ways. While unrestricted by a single media, Mak’s practice can be defined by a sense of wry humour and an interest in human connections with machinery.

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