
In Cosmic Dust: Ephemeral Redamancy, the world spins steadily, endlessly, drawing quiet parallels to the slow rotations of thought and perception. The exhibition unfolds as a meditation on movement and awareness, dissolving the line between the outer cosmos and the inner mind.
Across the expanse, wandering particles trace uncertain paths, rarely colliding yet continually drawn by one another’s gravity. Such encounters, momentary and resonant, mirror the fleeting crossings of consciousness, where thoughts, beings, and worlds briefly converge before continuing their separate orbits. Suspended from the ceiling, a series of lightweight springs move gently when visitors walk by, their quiet motion shifting and bouncing in response to nearby movement.
The work reflects on how perception shapes the world we see, how meaning spirals and reforms with every turn of thought. Through scale and immersion, the projection situates the viewer within this vast cycle, where presence feels both monumental and transient.
We, too, are matter in motion—particles adrift in an expanding field, momentarily illuminated before dispersing. In that brief shimmer, Cosmic Dust: Ephemeral Redamancy invites reflection on the delicate symmetry between the human and the celestial, between the fleeting and the infinite.
Chan Ka Kiu (b.1995 Toronto, Canada) is a Hong Kong based artist, graduated in 2021 from City University of Hong Kong, School of Creative Media (MFA). Chan’s previous exhibitions include solo presentation with Parasite, “Don’t come so fast, darling” (Art Basel 2019, Hong Kong), group shows “Very Natural Actions” (TaiKwun, Hong Kong, 2020), and “Tree Fall in the Woods and No One’s There” (Power Station of Art, Shanghai, 2018).

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