Chris Ofili has long been inspired by mythology and classical texts and has mined these stories to create significant bodies of work. These include his monumental suite of paintings and works on paper inspired by Ovid’s Metamorphoses, which were exhibited at the National Gallery in 2012, as well as sets for Diana & Actaeon for the Royal Ballet as a part of Metamorphosis: Titian 2012. More recently, his tapestry The Caged Bird’s Song, 2017, wove classical references with aspects of contemporary Trinidadian life to create a new mythological landscape.
In this suite of prints, which Ofili has created to accompany Charlotte Higgins’ new retelling of the Greek myths, the artist deftly captures the essence of the nine myths in a series of exquisite serpentine drawings.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services