Laying with the Olive Trees' (2011) uses the repeated motif of the olive tree to bring a sense of life to the female figure lying in a state of deathly repose. Perhaps her thoughts are drifting to the rolling hills of olive groves in her much-visited Turkish-Cypriot homeland, or maybe Provence where the artist often spends her summers.
Emin describes the landscape as "a dream-like place - a cross between a desert and an ocean." In this landscape the prone, solitary female has an ambiguous presence: is she lying at the bottom of the sea, or simply lying asleep?

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