ERIZAL AS

Questioning the existence of theism, righteousness, and justice, values that once were held so sacred to him, Erizal expresses his concern for the current condition of mankind. Formless Existence poses a shift in the artists perspective, a change of heart spurred by the onslaught of corruption and greed deep seeded in those in power and illuminated by media interjection. This devaluation of former moral principles gives life to the emergence of a formless existence experienced by Erizal which drives his recent artistic curiosity. However, rather than a manifestation of the pursuit of this elusive idea, this exhibition instead focuses on the subtle changing language of the abstract and how this art movement can be applied to the concept of formless existence.

Using paint as the primary medium, the works in this exhibition lend themselves to the artist’s imagination as he created each one as an ode to his obvious fascination with abstract art. Through his scrutiny, Formless Existence was built to portray the defiance of paint when seen through the lens of visual aesthetics.

Lending a larger meaning to paint as merely a medium, this exhibition acts as a metaphorical manifestation of Erizal’s personal views about the amoral and contradictory governance that imposes upon us all.