Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Klein, roc (2021). Video, colour, sound. 4 min 19 sec. Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Klein, roc (2021) (still). Video, colour, sound. 4 min 19 sec. Courtesy Galerie Buchholz, Cologne.
Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Mark Leckey, Carry Me into The Wilderness (2022) (still). Video 9:16 (colour, sound). 6 min. Courtesy Galerie Buchholz, Cologne.
Samuel Jeffery, Untitled (2014). PVC, acrylic primer, and insulating tape. 16.5 x 26.5 x 17.5 cm. Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Wolfgang Tillmans, Cézanne Bather Postcard Keithstrasse (2021). Inkjet print, framed. 40.6 x 30.5 cm. Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Sergej Jensen, Timpani Painting (2022). Oil and UV print on sewn linen. 102.5 x 96.5 x 3 cm; timpani 86.5 x 83 ø cm. Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Caleb Considine, Mote (2022). Oil on canvas. 20.5 x 30.5 x 2.5 cm. Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Vera Palme, Shed Sensitivity 1 (2022). Oil on linen, polyester. 35 x 45 x 2 cm; Desert Painting (2020–2022). Oil on cotton, polyester, tape. 56 x 70 x 2 cm; Shed Sensitivity 3 (2022). Oil on linen, polyester, tape. 24.5 x 30.5 x 2 cm; Sorry, it popped (2022). Oil on polyester, polyester, tape. 35.5 x 30 x 2 cm. Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Vera Palme, Shed Sensitivity 1 (2022). Oil on linen, polyester. 35 x 45 x 2 cm. Courtesy Galerie Buchholz, Cologne.
Vera Palme, Desert Painting (2020–2022). Oil on cotton, polyester, tape. 56 x 70 x 2 cm. Courtesy Galerie Buchholz, Cologne.
Vera Palme, Shed Sensitivity 3 (2022). Oil on linen, polyester, tape. 24.5 x 30.5 x 2 cm. Courtesy Galerie Buchholz, Cologne.
Vera Palme, Sorry, it popped (2022). Oil on polyester, polyester, tape. 35.5 x 30 x 2 cm. Courtesy Galerie Buchholz, Cologne.
Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Matt Browning, Plastic Freedom (2022). Plastic. 11.5 x 10 x 6.2 cm. Courtesy Galerie Buchholz, Cologne.
Romare Bearden, Harbor New York (c. 1982). Watercolour on paper. 20.3 x 27.9 cm. Courtesy Galerie Buchholz, Cologne.
Stewart Uoo, Fire Hydrant with Two Holes in American
Cheese Yellow (2021). Polyurethane paint, fibreglass, and gypsum
compound. 81 x 31 x 31 cm. Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Stewart Uoo, Untitled (Everything Dysphoria) (2008/2022). Pen on paper. 27.8 x 21.5 cm. Courtesy Galerie Buchholz, Cologne.
Matt Browning, Plastic Freedom (2022). Plastic. 12 x 8.5 x 8 cm. Courtesy Galerie Buchholz, Cologne.
Lutz Bacher, Skyscraper (n.d.). Paint on wood (two panels connected with hinges). 185 x 76 x 2.5 cm, 181.5 x 76 x 2.5 cm. Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Jack Smith, Untitled (n.d.). Oil on cardboard. 35 x 28 cm. Courtesy Galerie Buchholz, Cologne.
Diego Marcon, Untitled (All Pigs Must Die) (2015). 16 mm film, footage from Winnie-the-Pooh and the Blustery Day, 16 mm read film
leader, acrylic paint on the optical sound
band, colour, sound. 10 sec loop. Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Diego Marcon, Untitled (All Pigs Must Die) (2015) (still). 16 mm film, footage from Winnie-the-Pooh and the Blustery Day, 16 mm read film
leader, acrylic paint on the optical sound
band, colour, sound. 10 sec loop. Courtesy Galerie Buchholz, Cologne.
Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Henrik Olesen, Smiley (2022). Oil on masonite, inkjet on transparent film, various acrylic gel mediums, and staples. 32.5 x 41.5 cm. Courtesy Galerie Buchholz, Cologne.
Norman Lewis, Untitled (1960). Oil on paper. 101.6 x 66 cm. Courtesy Galerie Buchholz, Cologne.
Josef Strau, Ulysses (2022). Tin, solder, enamel, and marker on canvas. 59 x 44 x 3 cm. Courtesy Galerie Buchholz, Cologne.
Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Jasper Marsalis, Event 29 (2022). Oil and solder on canvas. 28 x 20.5 x 4.5 cm. Courtesy Galerie Buchholz, Cologne.
Tonio Kröner, Kryd (2017). Foam, polyester fabric, wood, ostrich and goose feathers. 136 x 53 x 46 cm; as a chip not yet cashed in (2021). Oil on dyed burlap. 246 x 180 cm. Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Tonio Kröner, as a chip not yet cashed in (2021). Oil on dyed burlap. 246 x 180 cm. Courtesy Galerie Buchholz, Cologne.
Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Martin Wong, Untitled (Fire Hydrant) (1970). Ink on paper. 35.5 x 27 cm. Courtesy Galerie Buchholz, Cologne.
Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Michaela Eichwald, De bello gallico Bellermannstraße (2022). Lacquer, ballpoint pen, and shellac ink on polyurethane fabric. 135 x 95 x 3 cm. Courtesy Galerie Buchholz, Cologne.
Samuel Jeffery, Untitled (2014–2022). PVC, acrylic primer, and insulating tape. 17 x 33 x 19.5 cm. Courtesy Galerie Buchholz, Cologne.
Julian Göthe, Teacups in the Sky (2022). Pencil on paper. 59 x 84 cm. Exhibition view: Group Exhibition, Bells, Galerie Buchholz, Cologne (24 September–29 October 2022). Courtesy Galerie Buchholz.
Julian Göthe, Teacups in the Sky (2022). Pencil on paper. 59 x 84 cm. Courtesy Galerie Buchholz, Cologne.
Charles Burchfield, Study for Church Bells Ringing, Rainy
Winter Night, No. 1 (1917). Pencil on paper. 21.5 x 13.5 cm. Courtesy Galerie Buchholz, Cologne.
Charles Burchfield, Study for Church Bells Ringing, Rainy
Winter Night, No. 2 (1917). Pencil on paper. 23.8 x 15.3 cm. Courtesy Galerie Buchholz, Cologne.
Alvin Baltrop, Man drinking from fire hydrant (n.d.). C-print. 14 x 9 cm (image), 15 x 10 cm (paper). Courtesy Galerie Buchholz, Cologne.
Alvin Baltrop, Man drinking from fire hydrant (n.d.). C-print. 14 x 9 cm (image), 15 x 10 cm (paper). Courtesy Galerie Buchholz, Cologne.
Alice Valenti, Wave edges 2 (2022). Oil on panel. 25.5 x 20.3 x 2.3 cm. Courtesy Galerie Buchholz, Cologne.
Alice Valenti, Green branches (2022). Oil on panel. 25.5 x 20.3 x 2.3 cm. Courtesy Galerie Buchholz, Cologne.
Unknown artist, from the collection of Martin Wong, Untitled (n.d.). Coloured pencil on board, in painted frame. 69.5 x 93 cm. Courtesy Galerie Buchholz, Cologne.
Galerie Buchholz is an art gallery specializing in international contemporary art, with exhibition spaces in Cologne, Berlin and New York City. The gallery was founded in Cologne in 1986 by Daniel Buchholz, and today is run jointly with Christopher Müller.