
Galerie Greta Meert is pleased to present its second solo exhibition by Edith Dekyndt (Ypres, 1960; lives and works in Berlin). Strange Fruits brings together the works Dekyndt created during the development process of the exhibitions shown at Le Consortium in Dijon and Wiels in Brussels, in 2015 and 2016 respectively. The first was inscribed in the rural wine region of Burgundy, the second in the Brussels area and more specific in the history of Wiels, located in the building of former brewery Wielmans -Ceuppens.
The title Strange Fruits refers to Billie Holiday’s Strange Fruit, a song in turn based on Abel Meeropol’s 1937 poem Bitter Fruit. The song tells about the lynching of black Americans in the United States, after the abolition of slavery. Often, the lynchers themselves didn’t think they commited a crime. In 1939, the year Billie Holiday interpreted this song for the first time, three lynchings had been commited: a contemporary poll reveals that six out of ten whites were in favour of this practice. The song was interpreted by, among others, Nina Simone, Carmen Mc Rae, Josh White, Diana Ross, Robert Wyatt, Jeff Buckley, Marcus Miller, Cassandra Wilson, Sting, Mary Coughlan, Ella Fitzgerald, Tori Amos, Pete Seeger, Dee Dee Bridgewater, Eartha Kitt, Tricky, Lester Bowie, UB 40, Siouxsie and the Banshees, Kanye West and Annie Lennox.
The works brought together in Strange Fruits reveal, amongst other things, the human and emotional factor that looms large in Dekyndt’s work, albeit always in the background. They also highlight the appearance – sometimes noble, sometimes repugnant, sometimes sacred, sometimes profane – you can find in those works that are made with materials such as blood, earth, silver, wine, wool, velvet, burnt flowers, hair. The different interpretations of Strange Fruit will be compiled and disseminated close to the floor, on the three storeys of the gallery building.****
Galerie Greta Meert




















Edith Dekyndt (b. 1960, Ypres, Belgium) works across video, sculpture, installation, drawing and sound to address timeless concerns of light, time and space in the most subtle ways. Throughout her work, she manifests a profound interest in physical phenomenons and ephemeral incidents by paying close attention to materials and their transient nature. She transforms her sensual perceptions to create a conceptually rich and materially engaged visual language. She lives and works in Berlin, Germany and Brussels, Belgium.

Over the past 30 years, Galerie Greta Meert established itself as one of Brussels’ leading contemporary art galleries. Founded in 1988 as Galerie Meert Rihoux, it was subsequently renamed after its founding director Greta Meert in 2006. Located in the center of Brussels, the gallery occupies a five-story Art Nouveau building designed by Louis Bral and renovated for the gallery by renowned Belgian architects Hilde Daem and Paul Robbrecht. Since 2012 three floors of the building are dedicated to exhibitions, making it possible to maintain an expanded exhibition schedule.

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