Press Release

Drawn from the artist’s longstanding engagement with abstraction, Tariku Shiferaw’s new lithography project Maps and Borders expands his inquiry on the grid as a spatial organizing mechanism. In Shiferaw’s multimedia practice, the chain link fence is a metaphor for the horizon line, or the systemic structures that organize–and often separate–peoples, geographies, and ideas. In Maps and Borders, a chain link fence is sandwiched between layers of paper pulp, upon which multiple layers of ink coalesce in dark, swirling colors, evoking constellations in the night sky. These prints, made in collaboration with the Experimental Printmaking Institute at Lafayette College, form part of Shiferaw’s series Mata Semay, meaning “night skies” in Amharic. In these works and others, Shiferaw merges cultural fragments and historical narratives of the African diaspora and legacies of modernism.

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About the Artist

Tariku Shiferaw is known for his practice of mark-making that explores the metaphysical ideas of painting and societal structures. This formal language of geometric abstraction is executed through densely layering material to create “marks,” gestures that interrogate space-making and reference the hierarchy of systems. As the artist explains, “A mark, as physical and present as cave-markings... reveals the thinker behind the gesture—an evidence of prior markings of ideas and self onto the space.” Apart from paint on canvases, Shiferaw also incorporates ready-made objects and materials in his installations, often using transparent and colored mylar, and subverting their utilitarian characteristics in assembly or hanging to create a body of evocative works that question perception and space. Born in Addis Ababa, Ethiopia, growing up in Los Angeles, and currently based in New York City, Shiferaw finds inspiration from the diverse cultures in his environments, particularly in the areas of music and language. Shiferaw’s ongoing series of paintings One of These Black Boys references musical genres that have originated in black communities—Hip-hop, R&B, Reggae, Afrobeats, Blues, and Jazz—a context that charges the works with musical references, identities, and cultural histories. Shiferaw’s work may be understood in the framework of midcentury abstraction, but the artist also infuses this formal vocabulary with critical observations from popular culture. Museum exhibitions that have presented works by Tariku Shiferaw include the 2017 Whitney Biennial at the Whitney Museum of American Art, New York, New York; A Poet*hical Wager at the Museum of Contemporary Art Cleveland, Ohio; Unbound at the Zuckerman Museum of Art (ZMA), Kennesaw, Georgia; Men of Change, organized by The Smithsonian Institution, and held at the California African American Museum (CAAM), Los Angeles; and What’s Love Got to Do with It? at The Drawing Center, New York, New York. Shiferaw has participated in the Independent Study Program at the Whitney Museum of American Art (Studio), in Open Sessions at The Drawing Center (2018-2020), and he was artist-in-residence at the LES Studio Program in New York City. Shiferaw is currently an artist-in-residence at the World Trade Center through Silver Art Projects. Shiferaw was born in Addis Ababa, Ethiopia, in 1983, raised in Los Angeles, California, and now lives and works in New York City.

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Also Exhibiting at Galerie Lelong & Co. New York

About the Gallery

Galerie Lelong & Co. represents prominent contemporary artists and estates from the United States, Latin America, Europe, Asia, and Australia. This uniquely diverse group includes mid-career and established artists at the forefront of the international art world working across all media.

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Galerie Lelong & Co. New York
528 West 26th Street, New York, United States

Opening hours
Tuesday – Saturday
10am – 6pm
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