An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...
Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...
即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
Galerie Lelong & Co. is pleased to present Urban Requiem, Barthélémy Toguo’s first exhibition at the gallery and first solo exhibition in New York in a decade. The artist will be present for the opening reception.
A Cameroonian artist based in France, Toguo focuses his multimedia practice on notions of exile and belonging. Urban Requiem (2015) presents an arrangement of ladders weighed down with wooden portrait busts. Carved into their flat bases are slogans sourced from recent protests and national movements, from #MeToo to #BlackLivesMatter, allowing each sculpture to function as a stamp. The process of utilising each stamp parodies administrative gestures, as they require significant effort to lift and coat with black ink before making a thickly crusted mark on paper.
Toguo first conceived of the idea in the 1990s, after noticing that his passport was filled with stamps from various customs agents around the world, unlike those of his colleagues who resided in the European Union. These markings—or brandings—spark a larger conversation on the language of authority, border control as a mode of policing, and the flow of human bodies and capital that is inescapably tied to colonial and imperial histories.
Toguo reminds us that human life has always been the highest price paid for the warring of ideas. By definition, 'requiem' suggests an act of mourning for the dead, but Urban Requiem prompts us to ask, who or what has died? A piece of the answer is revealed in Black Lives Matter, a series of drawings from last year showing victims of police shootings, with each subject identified by name: Walter Scott, Trayvon Martin, Philando Castile, and Rekia Boyd. Each portrait both memorialises an individual life lost and serves as monument to countless victims of multigenerational anti-black violence.
By contrast, Toguo’s striking paintings present more abstract renderings of plant life that bleed into human figures, binding societal issues to the ecological. Toguo says, 'My formal proposals, my ethical approach, my aesthetic vocabulary converge in the long run to go to the Other, the Others, with empathy.'
Toguo was born in M’Balmayo, Cameroon, in 1967, and currently lives and works in Paris, France and Bandjoun, Cameroon. Represented by the Paris location of the gallery since 2010, Toguo's relationship with the gallery extended to New York in 2019. Coinciding with Urban Requiem at Galerie Lelong & Co. is Perilous Bodies (March 5–May 11, 2019), a group exhibition that will inaugurate the newly renovated Ford Foundation Center for Social Justice, New York. Curated by Jaishri Abichandani and Natasha Becker, the show will feature Toguo’s installation, Road to Exile (2009). His most notable recent solo exhibitions include Exil, International Museum of the Red Cross and Red Crescent, Geneva, Switzerland (2018) and The Beauty of Our Voice, Parrish Art Museum, Water Mill, New York (2018). He was also shortlisted for the 2016 Prix Marcel Duchamp and included in the group exhibition of Prix Marcel Duchamp finalists at the Centre Pompidou, Paris. He has been included in numerous international biennials, including the 56th Venice Biennale (2015); 11th Biennale de Lyon (2011); and Dak’Art Biennale (2010). He was recently featured in Intriguing Uncertainties, The Parkview Museum Singapore travelling to Beijing; Art/Afrique Le Nouvel Atelier, Fondation Louis Vuitton, Paris; and Fragile State, Pinchuk Art Centre, Kiev, Ukraine. In 2011, he was made a Knight of the Order of Arts and Literature in France. His works are included in public collections worldwide, including Tate Modern, England; Centre Pompidou, France; Musée d'art contemporain de Lyon, France; Studio Museum Harlem, New York; and MoMA, New York.
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