Kathleen Ryan’s alchemical sculptures transmute commonplace objects into crystalline versions of themselves, musing on consumer culture, desire, and the interplay between beauty and decay. Her sculptures often juxtapose materials like cast iron, carved marble, and semi-precious gemstones to describe objects with delicate or fleshy materiality like fruit, flowers, balloons or spider webs.
Born in 1984 in Santa Monica, California, Ryan studied art and archaeology at Pitzer College in Claremont, California. She later earned a Master of Fine Arts from the University of California, Los Angeles, where she studied under artists Charles Ray and Catherine Opie.
Ryan is perhaps best known for her ‘Bad Fruit’ series (2018—), which, from a distance, may seem to be oversized sculptures of decaying fruit, yet upon closer inspection, they are encrusted with gemstones and beads. These works are popular as they explore value and impermanence by combining luxurious materials with representations of rot and decay. For example, in Bad Lemon (Armadillo) (2021), Ryan uses materials like tiger eye, agate, and turquoise to evoke the hues of Penicillium mould.
The interplay of hard/soft materiality is a dominant theme in Ryan’s sculptural practice. In addition to the beaded and crystalline ‘Bad Fruit series’, seemingly discarded automobile parts are another recurring material. In work such as the ‘Generator’ series, rusting industrial components, which engage with the visual language of machinery and urban infrastructure, are reconfigured into organic forms of clamshells, strung with delicately beaded spider webs, further complicating the hard/soft and natural/industrial dichotomies at play.
Kathleen Ryan has been the subject of both solo and group exhibitions. Selected exhibitions include:
Selected exhibitions include:
Ryan’s work has been collected binstitutions worldwide,,he world including: Los Angeles County Museum of Art; Walker Art Center; Hammer Museum; Nasher Sculpture Center, Dallas; ICA Boston; Kistefos Museum; The Art Gallery of New South Wales.
Ryan’s work has garnered significant attention in the art market, leading to her representation by Gagosian Gallery in 2024. Her debut exhibition with Gagosian is scheduled for 2026.
Kathleen Ryan’s Instagram and website can be found via the links.
Kathleen Ryan is an American sculptor known for her large-scale, meticulously crafted sculptures of decaying fruit. Her works are made from semi-precious stones and beads, creating a visually striking and conceptually rich exploration of themes such as excess, consumption, and the transience of beauty. Ryan’s sculptures invite viewers to contemplate the complex relationship between desire and decay.
Her ‘Bad Fruit’ s is among her most recognised series of work, featuring oversized sculptures of decaying fruit adorned with gems. Kathleen Ryan’s fruit sculptures depict oversized and decaying fruit made from semi-precious stones and beads. These works address themes of excess, decay, and the fleeting nature of beauty. The combination of precious materials and the depiction of decay create a compelling visual and conceptual tension.
Ryan’s background in art and archaeology, combined with her interest in everyday objects and their cultural significance, heavily influences her sculptural practice.
Hazel Ellis | Ocula | 2025





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