
Gladstone presents Double Gemini, Richard Aldrich’s first solo exhibition in South Korea. Spanning the lower gallery and first floor, the exhibition comprises paintings and sculptures spanning the past decade, underscoring Aldrich’s view of his practice as a continuous, evolving body of work within which individual works are just parts. Throughout his career, the artist’s curatorial approach to installation has reflected an ongoing investigation into the recontextualisation of objects and ideas, forging new relationships and meaning across forms, mediums, and scale. In Double Gemini, Aldrich employs time as a medium alongside his works’ physical and conceptual dimensions, engaging this framework across both his individual works and the installation at large.
Aldrich’s work is grounded in a longstanding commitment to innovation within his practice. Over the last twenty years, he has developed a visual language that deftly navigates the binaries in abstract and figurative forms while teetering between the conceptual and the physical properties in his mark- making. Meaning arises from the interplay between the work’s materially rich surface and the cultural and autobiographical allusions that he weaves into his compositions. Aldrich’s distinctive painterly touch is characterised by his material experimentations with oils and wax, varying degrees of solvents, and the application of found objects to his surfaces. The intricately worked layers present a nonlinear narrative reiterating the work’s potential for interpretation and offering insight into Aldrich’s world. The artist’s references span a wide array of influences, from art history and popular culture, to video games and science fiction. Articulating the breadth of the artist’s wide spanning interests, the paintings in this exhibition resist easy categorisation. Altogether, Aldrich’s work reveals compelling visual and thematic fluidity across the boundaries of perception, conjuring discernible references alongside intangible ideas such as memory and time to present an interconnected network of possibilities.
Richard Aldrich (b. 1975, Hampton, Virginia) lives and works in New York. Aldrich has been the subject of solo exhibitions at institutions including Fondazione Giuliani, Rome (2022); Museum Dhondt-Dhaenens, Deurle, Belgium (2016); the San Francisco Museum of Modern Art, California (2011); and the Contemporary Art Museum, St. Louis (2011). Aldrich has been included in group exhibitions at notable institutions such as the Museum of Modern Art, New York; Whitney Museum of American Art, New York; National Museum of Art, Osaka, Japan; Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain; the Wexner Center for the Arts, Columbus, Ohio; and the Museum of Contemporary Art, Busan, South Korea. Aldrich’s work is in the public collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; the San Francisco Museum of Modern Art, California; the Dallas Museum of Art, Texas; the Whitworth Art Gallery, Manchester, United Kingdom; Smithsonian American Art Museum, Washington, D.C., and the National Museum of Art, Osaka, Japan.
Richard Aldrich was born in 1975 in Hampton, VA, and currently lives and works in New York. Solo exhibitions of Aldrich’s work have taken place at such institutions as Museum Dhont-Dhaenens, Deurle, Belgium (2017); the San Francisco Museum of Modern Art, San Francisco, USA (2011); and the Contemporary Art Museum, St. Louis, USA (2011). His work has been included in group exhibitions at museums including The Museum of Modern Art, New York; Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain; and the Whitney Museum of American Art, New York. His work is in the collections of the Museum of Modern Art; the Whitney Museum; the San Francisco Museum of Modern Art; The Whitworth Art Gallery, University of Manchester; The National Museum of Art, Osaka, Japan; The Dallas Museum of Art; and the Smithsonian.



A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services