TAKESADA MATSUTANI

In 1966, Matsutani received a grant from the French government after winning first prize in the 1st Mainichi Art Competition and subsequently moved to Paris where he began working at Stanley William Hayter’s renowned printmaking studio, Atelier 17. During the four years he worked at the studio, he learnt French, married and established his base in Paris. Working alongside Hayter opened Matsutani up to a new form of artistic experimentation and offered him a newfound confidence. Matsutani began to rethink his practice and a new elemental aesthetic language began to emerge that was both controlled and organic.

After the Gutai group disbanded in 1972, Matsutani eased into a radical yet consistent new body of work, informed by his experience at Atelier 17. Faithful to his Gutai roots, he strove to identify and convey the essential character of vinyl glue with graphite, that were to become his signature materials. Matsutani began creating vast expanses of metallic black graphite on mural-size sheets of paper built up with painstaking individual strokes. This ritualized manner presents a time-based record of his gestures, while reminiscent of his artistic beginnings in Japan, it has been translated into an artistic language that is uniquely his own.

Courtesy Hauser & Wirth