
On view from 25 February through 15 April, Kiyoshi Hamada’s large-scale exhibition will present a large range of works and traverse a great breadth of the artist’s career.
Taking place across three floors of the gallery from the basement to the 2nd floor, Ebb & Flow will exhibit the artist’s earliest works, from his initial career as a silkscreen artist to the drawings of the 80s, as well as his iconic series of ‘shaved, carved and layered’ works that began in the 90s. Spanning 60 years of his career, Ebb & Flow offers viewers the opportunity to experience the great changes and developments in the artist’s vast oeuvre.
On the Exhibition
Hamada began his career as a silkscreen artist in the 1960s. Known for his minimalistic mindscapes, his superseding sharp and long, oval-shaped cuts of reds over deep black silkscreens were met with great recognition and acclaim. However, Hamada felt a sense of dissonance due to his inability to produce works independently and, in the 80s, embarked on a new endeavour; to challenge the art of the line by using the most basic of materials, a pencil, and paper. From here on, Hamada would traverse between different systems of production, from the repeated process of etching, scraping, and layering of paints, to the superimposing of wooden blocks.
Through this perpetual revision of production methods, Hamada’s works undergo constant transformation. However, in spite of this perennial flux, the artist remains allegiant in his attitudes toward his work. Rather, through his utilisation of deeply physical and intimate processes, what each and every single one of the artist’s works sublimate is the accumulation of his time, labour, and presence.
Covering three floors of gallery space, this comprehensive display of the artist’s approximately 60-year-long career will present the silkscreens of his early career to his latest works.
















Kiyoshi Hamada was born in 1937 in Kochi, Japan. Following graduation from Tama Art University in 1961, Hamada became acquainted with leading post-war Japan avant-garde artists, such as Yoshishige Saito, and began pursuing abstract modes of production. He was awarded an Honourable Mention at the Osaka Biennale of Prints Competition of 1977 and, with much acclaim, has been active in various domestic and international exhibitions. In 2015, he held a solo exhibition, The Legacy of Kiyoshi Hamada – Paintings of Layering and Erasing, at the Nerima Art Museum. With great promise, Hamada’s oeuvre has developed over time. Nevertheless, from his iconic Drawing series to his recent monochrome semi-cultural works, Hamada’s preoccupation with the ‘systems’ of production has remained essential to his work.
√K Contemporary (Root K Contemporary) is a contemporary art gallery based in Kagurazaka—an historic Edo-period area of Tokyo rich in art and culture.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services