
Dorothy Cross’s Bloodlines series comprises unique works that layer archival photographs with hand-poured, red-veined glass. Taken by the artist’s father in the 1940s, these images reveal an inherited fascination with the sea—a personal history caught within a geological frame.
The Bloodlines series finds a natural companion in the two-volume publication Montenotte & Fountainstown (Occasional Press). In Bloodlines, these images are transformed by the visceral “flow” of red-veined glass; in Montenotte & Fountainstown, they are placed in surprising visual juxtapositions that work back and forth across time. Together, both projects explore the “elusive fragments of a personal history,” revealing how the past continues to exert a pulse upon the present.

Working in sculpture, film and photography, Dorothy Cross examines the relationship between living beings and the natural world. Living in Connemara, a rural area on Ireland’s west coast, the artist sees nature, the ocean and the body as sites of constant change and flux. Her works harness this fluidity and generative power, staging unexpected encounters between plants, animals, body parts and everyday objects, resulting in strange, hybrid forms that range from the lyrical, sublime and meditative, to the erotic, humorous and playful. Her sculptures might incorporate classical materials such as Carrera marble, cast bronze or gold leaf alongside discarded antiques, old boats, washed up jellyfish, whale bones or animal skins found on the shore. Treating these materials with equal reverence, Cross honours the legacy of art history but also the geological and ecological histories that far predate it, reflecting upon our place within the environment. Her works also draw upon a rich store of symbolic associations across cultures to investigate the construction of religious, social and sexual mores, subjectivity, memory and vulnerability.
Kerlin Gallery was founded in Dublin in 1988. It has built an international reputation for its dedicated, meaningful representation of leading contemporary artists through its exhibition, publishing and art fair programmes. Its current site was designed by the minimalist architect John Pawson in 1994 and offers 3,600 square feet of exhibition space over two floors in the heart of Dublin City Centre.

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