
Kerlin Gallery is delighted to announce the first solo exhibition in Ireland by the Shenzhen-based artist Zhou Li. Having lived in Paris from 1995, Zhou returned to China in 2003, where she has been the subject of critically-acclaimed museum shows including the Yuz Museum, Shanghai (founded by the late Budi Tek, a champion of Zhou’s work), the Hive Center for Contemporary Art, Beijing, Guangdong Museum of Art, Guangzhou and Pingshan Art Museum, Shenzhen. She now returns to Europe with two simultaneous solo exhibitions at Château La Coste, Aix-en-Provence (12 June – August) and Kerlin Gallery, Dublin (2 July – 20 August), as well as a major presentation by Kerlin Gallery at Art Basel (16–19 June, Hall 2.1, Booth L15).
Zhou Li creates paintings, sculptures, installations and public art using mixed media, including oil paint, washes of ink, charcoal and cotton cloth. Her lyrical abstract painting capture her acute sensory observations of the world: lightness and shadow, solidity and dissolution, the sense of being. Building upon the history of European painting and the central tenets of traditional Chinese art (Qiyun, or atmosphere; brush stroke; colour and structural arrangement), Zhou Li harnesses both traditions to develop a distinct painterly language. Her paintings look towards nature as a starting point, but are imbued with a sense of much more: every brush stroke on the canvas is driven by her persistent query and pursuit of being.
Zhou Li creates paintings, sculptures, installations and public art using mixed media, including oil paint, washes of ink, charcoal and cotton cloth. Her lyrical abstract paintings capture her acute sensory observations of the world: lightness and shadow, solidity and dissolution, the sense of being. Building upon the history of European painting and the central tenets of traditional Chinese art (Qiyun, or atmosphere; brush stroke; colour and structural arrangement), Zhou Li harnesses both traditions to develop a distinct painterly language. Her free-flowing charcoal lines intersect with circles of paint in a gauzy, gossamer palette; these delicate, layered forms appear to float in space and follow a complex compositional arrangement that extends beyond the surface of the painting. Her paintings looks towards nature as a starting point, particularly the mountainous terrains of Southern China, but are imbued with a sense of much more: every brush stroke on the canvas is driven by her persistent query and pursuit of being.
Kerlin Gallery was founded in Dublin in 1988. It has built an international reputation for its dedicated, meaningful representation of leading contemporary artists through its exhibition, publishing and art fair programmes. Its current site was designed by the minimalist architect John Pawson in 1994 and offers 3,600 square feet of exhibition space over two floors in the heart of Dublin City Centre.

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