
Lehmann Maupin is pleased to announce an exhibition of new paintings by Billy Childish. The prolific British painter, musician, and writer has produced hundreds of albums of music and dozens of volumes of fiction and poetry. For his sixth exhibition with the gallery, and his first with Lehmann Maupin in Korea, Childish has created a body of work emblematic of his ‘radical traditionalist’ approach. Pulling from themes found throughout art history—a verdant landscape, a sunset, a still life—Childish presents intensely personal vignettes that feel archetypical, vibrating with the kinetic energy of a moment lived.
While working in a state of flow is essential to the creative process of any artist, for Childish this state represents the entirety of artistic production. Working intuitively and quickly, his highly kinetic paintings are mostly created in a single session without any revision. His style is often compared to the expressionist painters of the late 19th/early 20th century, such as Vincent van Gogh and Edvard Munch, but for Childish it is the embodiment of these artists’ spiritual and creative integrity, and how this informed their roles within society, that is most compelling. An unabashed universalist, Childish considers artistry to be the inheritance of every human being, a method to capture the expressive impulse and visualize the powerful lure of beauty.
Utterly non-ironic and vividly familiar, a Childish painting can be interpreted the way one might interpret a dream. In these paintings, Childish presents a series of landscapes ranging from an idyllic sunset to an ominously clouded sky. Also included is a still life of a vase of flowers and a wolf stalking its prey. All of these can be thought of as signifiers for states of being or emotions legible in the form of a landscape. For the artist, the conceptual should never replace the humanistic—Childish states ‘I make a picture in the same way a child does—something ‘out there’ interests me. Making a painting of that ‘something’ then joins me with the universal creator/creation in a more intent way than just being an observer.’
About the artist
Billy Childish (b. 1959, Chatham, Kent, United Kingdom; lives and works in Rochester/Chatham, Kent) attended Medway College of Design, Kent in 1977 and Saint Martin’s School of Art, London in 1978. Solo exhibitions of his work have been organized at Rochester Art Gallery, Kent, United Kingdom (2016); Opelvillen Rüsselsheim, Frankfurt, Germany (2016); White Columns, New York, NY (2010); and the Institute of Contemporary Arts, London, United Kingdom (2010). Select group exhibitions featuring his work include BILLY CHILDISH, HARRY ADAMS and EDGEWORTH JOHNSTONE: Our Friend Larionov, Pushkin House, London, United Kingdom (2014); Paintings Sweet Paintings, Neuer Aachener Kunstverein, Aachen, Germany (2014); and British Art Show 5, City Art Centre, Edinburgh, Scotland (2000). Childish has written and published five novels and more than 40 volumes of poetry, and recorded more than 150 LPs.
Billy Childish (b. 1959, Chatham, Kent, United Kingdom; lives and works in Whitstable, Kent) is known for his introspective, autobiographical, and deeply emotional paintings, writing, and music. After leaving secondary school at age 16, Childish worked at the Naval Dockyard in Chatham as an apprentice stonemason. Initially denied an interview to the local art school, he produced hundreds of drawings that gained him entry to London’s Saint Martin’s School of Art. Childish’s defiance of authority led to his eventual expulsion from art school in 1981. Since then, Childish has gained something of a cult status worldwide, writing and publishing five novels and more than 40 volumes of confessional poetry, recording more than 150 LPs, and painting several hundred works.




Rachel Lehmann and David Maupin founded Lehmann Maupin in 1996. The gallery represents a diverse range of American artists, as well as artists and estates from across Europe, Asia, Africa, South America, and the Middle East. It has been instrumental in introducing numerous artists from around the world in their first New York exhibitions.

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