
2 September–5 October 2024, Sally Ross will present her third solo exhibition at Martin Browne Contemporary featuring a group of new paintings.
Ross’ new body of work pursues the picturesque. She presents visions of rainforests, frangipani trees, tropical plants and berries, strange bushes and undergrowth, swarming leaves, fronds and blurs of foliage. The artist introduces luscious pops of colour—pinks and orange—amidst a lush and steady stream of greens and blues. The paintings move between imagined and real landscapes, continuing to gravitate away from compositions sourced from found images to now focus on the seen and the beauty and pleasing visions to be found in the real world.
Ross has exhibited internationally in Australia, France and the United States of America, Australia, Belgium, Hong Kong, Italy, Mexico and Switzerland. A six-time Archibald Prize finalist, Ross’ works are held in France; National Portrait Gallery, Canberra; Geelong Art Gallery, Geelong; National Gallery of Victoria, Melbourne; Heide Museum of Modern Art, Melbourne; Artbank, Melbourne; Macquarie University Collection, Sydney, Fondation Maeght, St-Paul de Vence; along with private collections in Austria, Australia, Belgium, France, Germany, the United Kingdom and the United States of America.
**Sally Ross Said: **“I sense a buzz of recognition when I am in a place that I must paint, to share its beauty and strangeness. My paintings no longer bear witness to landscapes of fantasy and longing for distant place—they now inch towards an appreciation of the real, the experienced. _I want to paint these visions.” ___
Martin Browne Contemporary is dedicated to showing the finest in Australian and International modern and contemporary works of art. The gallery combines a program of new work by its exhibiting artists with curated exhibitions of selected works from the secondary market.
Complementing its exhibition program, Martin Browne Contemporary produces an extensive range of publications. The gallery's comprehensive mailing database ensures these publications reach all major Australian and New Zealand public museums and private institutions as well as over 3000 private collectors in Australia and abroad.

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