Press Release

MAKI Gallery is pleased to present Shichijūni kō unsō (Seventy-Two Microseasons: Cloud Aspects), New York-based artist Miya Ando’s third solo show at Tennoz, Tokyo. The exhibition features seventy-two of Ando’s signature cloud paintings structured according to shichijūni kō (七十二候), a traditional East Asian calendar system that divides the year into seventy-two microseasons. Every microseason spans approximately five to six days and is marked by a small, observable change in the natural world. Although the system is designed to organize time into fixed intervals, it is ultimately understood through the accumulation of subtle transitions. The term unsō (雲相) in the exhibition title combines un (雲), meaning cloud, and (相), denoting aspect, phase, or condition within classical observational vocabularies. Unsō directs our focus to how clouds present themselves at a given moment, shaped by atmosphere and duration. Shichijūni kō unsō renders the seventy-two microseasons visible through chromatic sequence and subtle shifts in the natural world, articulating time as a continuous process perceived with sustained attention to gradual variation.

Installation Views

Exhibition view: Miya Ando, Shichijūni Kō Unsō (Seventy-Two Microseasons: Cloud Aspects), MAKI, Tennoz, Tokyo (24 January–28 February 2026). Courtesy MAKI.
Exhibition view: Miya Ando, Shichijūni Kō Unsō (Seventy-Two Microseasons: Cloud Aspects), MAKI, Tennoz, Tokyo (24 January–28 February 2026). Courtesy MAKI.
Exhibition view: Miya Ando, Shichijūni Kō Unsō (Seventy-Two Microseasons: Cloud Aspects), MAKI, Tennoz, Tokyo (24 January–28 February 2026). Courtesy MAKI.
Exhibition view: Miya Ando, Shichijūni Kō Unsō (Seventy-Two Microseasons: Cloud Aspects), MAKI, Tennoz, Tokyo (24 January–28 February 2026). Courtesy MAKI.
Exhibition view: Miya Ando, Shichijūni Kō Unsō (Seventy-Two Microseasons: Cloud Aspects), MAKI, Tennoz, Tokyo (24 January–28 February 2026). Courtesy MAKI.
Exhibition view: Miya Ando, Shichijūni Kō Unsō (Seventy-Two Microseasons: Cloud Aspects), MAKI, Tennoz, Tokyo (24 January–28 February 2026). Courtesy MAKI.
About the Artist

Born in 1973 in Los Angeles, Miya Ando uses a wide variety of materials such as steel, wood, glass, aluminum, and paper to create paintings, drawings, sculptures, and installations. Ando skillfully fuses the traditional and the contemporary, the industrial and the organic, and East and West in her work, capturing the ephemerality of nature through a refined aesthetic sensibility.

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About the Gallery

MAKI Gallery was first established in Tokyo in 2003, with the aim of promoting works by seminal avant-garde Japanese artists of the 1950s-60s. The gallery has since gradually shifted its focus to working with emerging contemporary artists. After opening a location in the bustling, high-end shopping district of Omotesando in 2014, MAKI Gallery opened an expansive, museum-caliber space in the growing gallery hub of Tennoz in 2020. Across these two outposts, MAKI Gallery presents a broad range of works by internationally active artists, including Mungo Thomson, Miya Ando, Susumu Kamijo, and Marius Bercea, while also introducing younger Japanese artists, such as Anne Kagioka Rigoulet, Keisuke Tada, and Takuro Tamura, to a global audience. The gallery has also participated in various international art fairs such as Frieze New York, The Armory Show, Asia NOW, and West Bund Art & Design.

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Opening hours
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