
MAKI Gallery is pleased to present Oita-based artist Shiori Tono’s solo exhibition Nandemonai at Tennoz, Tokyo.
Nandemonai—meaning ‘ordinary’ or ‘trivial’ in Japanese—features a collection of paintings based on photographs Tono took of fleeting, unassuming scenes from her immediate surroundings. A Christmas cake shared at her part-time job; potted plants quietly sitting unnoticed as time goes by; eucalyptus leaves glistening in the sunlight—none of these are dramatic subjects, yet it is their very subtlety that imbues them with a precious tenderness.
By meticulously painting the ephemeral vignettes she encounters, Tono creates a multitude of images that seem to shift and evolve alongside the flow of time, heightening our awareness of the here and now. Her works gently illuminate overlooked moments and carefully retrieve memories on the verge of fading into oblivion. We invite you to immerse yourself in them as you pause and contemplate the lingering vestiges of days gone by.





Born in 1994 in Oita Prefecture, where she continues to live and work today, Shiori Tono completed her MA in Arts and Design at Onomichi City University, specializing in oil painting. Tono draws from childhood photo albums and photographs she has taken herself, using her work to deftly express the fragility and preciousness of those fleeting recollections that come to us in unexpected moments. As our minds absorb and accumulate increasing amounts of information every day, existing memories become buried, sometimes even abstracted or fragmented. Tono engages with this universal experience by skillfully depicting the ambiguous nature of memory as warped and deteriorating images on canvas, often imitating the distortion found in old digital files. The specific years in which the original photos were taken vary; the more obscure the memory, the more fractured the painted image becomes, making it increasingly difficult to identify the pictured subject. Yet despite the inevitable fact that most memories are eventually lost, Tono carefully gathers the fragments that remain in her mind, resurrecting them square by square on a three-centimeter-by-three-centimeter grid. Using masking tape to create a lattice in which every other line is exposed, the process of layering oil paint from one end of the canvas to the other is the artist’s attempt to document her own existence.

MAKI Gallery was first established in Tokyo in 2003, with the aim of promoting works by seminal avant-garde Japanese artists of the 1950s-60s. The gallery has since gradually shifted its focus to working with emerging contemporary artists. After opening a location in the bustling, high-end shopping district of Omotesando in 2014, MAKI Gallery opened an expansive, museum-caliber space in the growing gallery hub of Tennoz in 2020. Across these two outposts, MAKI Gallery presents a broad range of works by internationally active artists, including Mungo Thomson, Miya Ando, Susumu Kamijo, and Marius Bercea, while also introducing younger Japanese artists, such as Anne Kagioka Rigoulet, Keisuke Tada, and Takuro Tamura, to a global audience. The gallery has also participated in various international art fairs such as Frieze New York, The Armory Show, Asia NOW, and West Bund Art & Design.

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