LOUISE NEVELSON

Composing these elements into nested, box-like structures, she would then paint them in monochromatic black, white, or gold—transforming disparate elements into a unified structure. She also experimented with bronze, terracotta, and Plexiglas, moving as well into collage, works on paper, and the realm of public art.

With her compositions, Nevelson explored the relational possibilities of sculpture, summing up the objectification of the external world into a personal landscape. Although her practice is situated in lineage with Cubism and Constructivism, her sense of space and interest in the transcendence of the object reveal an affinity with Abstract Expressionism. Nevelson represented the United States at the Venice Biennale in 1962, and today her work is held in over ninety public collections worldwide.

To learn more about Louise Nevelson Foundation here.

Text courtesy Pace Gallery