An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...
Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...
即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
'With materials and handling, Marrinon's choices are as discriminating as her decisions about scale. The delicate, friable character of chalky plaster and dry terracotta immediately suggest great fragility, and reinforces the sense of protectiveness established through scale. One walks around her figures on their small plinths, sees each fold in the drapery, each mark made by the artist's hand, every rough edge in the plaster and the various combinations and permutations of these.'
Linda Marrinon has been exhibiting since the early 1980s and has been the subject of major survey shows at The Ian Potter Museum of Art, The University of Melbourne and The Institute of Modern Art, Brisbane. This will be her first exhibition following her receipt of the 2018 Don Macfarlane Prize, and the announcement of her inclusion in The National 2019.
Marrinon has been included in numerous group exhibitions including, Australian Perspecta (1983 and 1999), Word (1999) at the Muttseum of Contemporary Art, Sydney, Lost and Found: the TarraWarra Biennale of Art (2009) and Figurative Sculpture at Monash University of Art (2016). A large group of Marrinon's sculptures were included in the exhibition Making it New: Focus on Contemporary Australian Art at the Museum of Contemporary Art, Sydney in 2009.
In 2001, Marrinon was a recipient of the prestigious Samstag Fellowship which permitted her to study at the New York Academy of Art. Last year in 2018 she was awarded the Don Macfarlane Prize by the Macfarline Foundation.
Marrinon's paintings and sculptures are held by most of the major Australian state galleries and numerous private and corporate collections.
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