The sculpture is surrounded by a series of paintings. Wekua uses an architectural redefinition of the space to create his own viewing plane for the paintings while simultaneously reflecting the centrally-positioned sculpture as an object in space. Like the sculpture, the process of creating the exhibited paintings is based on strategies of assemblage and collage. Photographs were often a starting point for these works; Wekua treats these photos as archive material. First they appear in paper collages, then the collages are transferred to aluminum-composite plates using a complex, painterly silkscreen-printing process with different layers of pigment. The finished paintings emerge when Wekua edits and paints over these plates. Using a process of continuously applying oil paint and removing it, changing backgrounds, blurring or adding details, he constructs new contexts of meaning for his source material. The dominance of the respective colour background and proportions of the original photos he incorporates often evoke the tradition of icon painting. The process of creating these paintings follows the same self-reflective, abstracting and sometimes effacing process that our memory does. Wekua succeeds in compressing several levels of time into one image while countering the past with a poetic reality of his own. These works are not to be understood as commentaries on the past and certainly not as its reconstruction. Rather, they are aimed at its complete, aesthetic transfiguration.

Various geographies, stories and characters appear again and again in Andro Wekua’s work. He tears these elements out of the totality of life context and fuses the isolated fragments of reality back together in an unexpected way. Subjective memories dissolve in the logic of dreams. Latent elegance and subtle symbolism trigger mechanisms of the uncanny. Few can illuminate the dark, in-between spaces of emotion and memory, the ambiguities of history, fantasy and (art)-historical memory better than he. Seemingly effortlessly, Wekua expresses universal narrative structures and creates timeless works.

Andro Wekua (born 1977 in Sukhumi, Georgia), lives and works in Berlin, New York and Zurich. His solo exhibitions include: Kunsthalle Zürich, June to August 2018, Garage Museum of Contemporary Art, until May 2018, Kölnischer Kunstverein, 2016, Benaki Museum, Athens, 2014, Kunsthalle Wien and the Friedericianum, both 2011, Wiels, Brussels and Museion Bolzano, Italy, both 2010, Museum Boijmans Van Beuningen, Rotterdam, 2007, and Kunsthalle Wintherthur, 2006. Selected group exhibitions include: Museum of Contemporary Art, Cleveland, USA, 2016, High Line Art, New York, 2015, Pinakothek der Moderne and Museum Brandhorst, Munich, 2015, Palais de Tokyo, Paris, 2014, Centre d’Art Contemporain Genève, 2013, the New Museum, New York and the Venice Biennale, Venice, both 2011, Kunsthaus Zürich, 2008, Center Pompidou, Paris, 2006, and the 4th Berlin Biennale, Berlin, 2004.