
STATION is delighted to present VERTICAL HOLD, Sarah Contos’ fourth solo exhibition with the gallery.
Employing screen-printed textiles, tufted pieces and sculptural forms, VERTICAL HOLD fractures and reanimates the cinematic picture. Drawing from 1970s and 80s film culture, Sarah Contos transforms the analogue television set, rife with visual glitches, flickers and phantom images, into both material reference and conceptual anchor. Here, visual instability becomes a metaphor for emotional slippage.
Mining the absurd and atmospheric textures of genre cinema, Contos threads together nostalgia, colour, and chaos through a performative, set-like lens. Each work channels the mood, palette and psychic residue of a specific film, creating a tactile montage that blurs comfort with unease and softness with static. In these works, the idea of ‘holding’ embodies both embrace and constraint, continuing Contos’ exploration of duality, desire and the unmoored nature of memory.









By layering and manipulating sourced objects, personal artefacts and vestiges of popular culture, Contos draws attention to emotional, psychological and theatrical relationships between imagery, form and materiality. Working across sculpture, textiles, painting, video and installation and using a process based/ intuitive approach, her work explores how these interactions trigger intimate experiential responses within a broader collective memory. Often referencing art history, fashion and theatre/cinema- she plays and explores with the duality and ontological nature of ‘things’ with a contemporary and retrospective mindset.


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