Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...
London's galleries and museums are gearing up for a lively October, with Frieze London and Frieze Masters running between 3 and 6 October 2019 at Regent's Park, along with 1-54 Contemporary African Art Fair, taking place across the same dates at Somerset House; and the tenth anniversary of the Sunday Art Fair, showcasing new and emerging artists...
Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...
Tang Contemporary Art is pleased to present Not I, an exhibition by German-born artist Christian Lemmerz, marking his first solo presentation in Hong Kong. Over the years, Lemmerz worked with various medium, such as installation, film, interactive media, performance and drawing. He has created a large number of artworks that seem both fascinating and appalling to his audience. His works break taboos and often compose the essentials of human existence.
The exhibition revolves around themes of life and death, will and oppression. Lemmerz possesses a combination of classical art with contemporary issues of our world. The artist has been influenced by great philosophers such as Immanuel Kant and Martin Heidegger, whose work he has been studying. He has also been influenced by our own time, where mass media, death, terror and suffering are central themes. One of the purposes of Lemmerz's art is to create a space where the viewer's own thoughts on identity, existence and being can have physical form. The striking beauty of his art stems from its shocking insistence and often leaves the viewer stunned and speechless.
At first glance, Christian Lemmerz's bronze sculpture Todesfigur is a human figure wrapped in cloth from head to toe. The cloth is draped around the body like the consuming plague eating and devouring the human figure. One cannot help but think of death in physical form.
Entering the virtual reality of Lemmerz's La Apparizione, one encounters the Crucified One. A golden tortured body, released from the cross and floating in deep darkness, his wounds revealing flesh and blood behind the glistening metal surface of his skin. As a new medium and technology, virtual reality probes human consciousness, one of the last frontiers of neuroscience and philosophy. Taking place at this threshold of reality through the medium, Lemmerz's depiction of Christ questions the very nature of existence, the feeling of being there, our sense of self.
The exhibition will also include two series of drawings,Canto XIII and Snakes. Canto XIII pays tribute to Dante's "Divine Comedy" and refers to the chapter that depicts gnarled trees in The Wood of the Suicides. Souls of sinners who killed themselves were transformed into these condemned and cursed trees that became part of the forest. Since the 1980s, when Lemmerz was part of the performance art group Værst ('Worst') together with Michael Kvium, he has emerged as a master of classical art. Over the last couple of years, he has created work with traditional materials such as marble, paying tribute to Renaissance art. In 2009, he was awarded with the Thorvaldsen medal that is considered to be the highest distinction among Danish sculptors.
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