Pierre Huyghe is a producer of spectacular and memorable enigmas, with works that function more like mirages than as objects. Abyssal Plain (2015–ongoing), his contribution to the 2015 Istanbul Biennial, curated by Carolyn Christov-Bakargiev, was installed on the seabed of the Marmara Sea, some 20 metres below the surface of the water and close to...
In the early decades of its existence, New York's Museum of Modern Art (MoMA), founded in 1929, transformed from a philanthropic project modestly housed in a few rooms of the Heckscher Building on the corner of Fifth Avenue and 57th Street, to an alleged operating node in the United States' cultural struggle during the cold war, and one of the...
Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...
Tang Contemporary Art is proud to announce the opening of Liu Qinghe's solo exhibition Treading Waves, featuring nineteen of his recent ink on paper works, on November 22, 2019, at the gallery's Hong Kong space in H Queen's.
Liu Qinghe is an ink artist with a strong contemporary, experimental sensibility. He focuses on contemporary cities, depicting the visual experiences and psychological perceptions of contemporary people. In the course of his explorations, he dissolves traditional brush and ink modes, creating a unique expressive method that fits with current experience. With unusual sensitivity, he truthfully represents the existential predicaments of people in society, painting a spiritual view of contemporary humanity.
Liu Qinghe maintains the lukewarm attitude to reality that the literati have exhibited since ancient times. He makes his way through life in the city in a leisurely and carefree way. Without adornment and without commentary, he naturally presents the figures' moods in real life. In his painting, and particularly in his observations of the moods and mentalities of young people, women, and children, he accurately depicts the prismatic reality of contemporary urban life and interprets the spiritual conditions of contemporary people.
In Liu's ink work, the dripping and permeation of ink construct a space with personal tension, while also effectively playing up the emotional atmosphere. The figures appear in a dense mist of color and ink; the relationship between the figures and their environments create an ineffable, strange ambience. The misty, dense ink reflects the slight unease of contemporary people, and the seemingly casual but meticulous lines suggest the psychological relationships between the figures and the outside world. This ingenious formulation gives Liu's work a more metaphysical, existential experience.
Treading Waves titles after a work in the exhibition. Treading waves is the process of a carefree and positive action, reflecting a graceful, wise attitude. It also highlights the artist's use of water. Since 2003, this water imagery has become a frequent theme for the artist. Water is treated as the context to envelope isolated individuals and some groups. It is transparent and reflective, which sets off the existence of the figures and their subtle relationships with others. Viewing and perceiving water is a metaphor for real life today. This metaphor concerns the everyday, then presents more real textural and penetrating elements.
Liu Qinghe's unique contemporary ink is receiving more attention in a globalizing world. He uses brush and ink to create a direct relationship with life today and present viewers with observations and perceptions in ink, a juncture that allows him to re-examine his own life and culture. Liu's work has always expressed the most authentic feelings and considerations of contemporary life in concrete spiritual images made by a contemporary intellectual.
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