
Ratanui, a 500-year Northern Rata in the Tarapuruhi bush sanctuary north of Whanganui where Anne Noble grew up, provided the starting point for this photographic installation. Noble first photographed the tree in 1978 and, in the summer of 2021 while on the artist residency at Tylee Cottage Whanganui, she revisited the sanctuary to create new work from her earlier research. Noble entered the forest at night wearing a hunter’s camera and buried a length of film – a medium sensitive to the chemistry of earth and the passing of time – in the ground near Ratanui – a bid to map traces of visibile and invisible worlds.
The project evolved from her interest in how a colony of bees operates as one interconnected body. “Forests are similar and yet we see them comprised of single entities - like a population of human beings,” she says. “I am fascinated by the invisible networks of exchange within the forest.” Here, as with her bee works, science, language and art come together. The work reflects recent science suggesting that trees communicate through their roots and across fungi networks.
“An understanding of language as an inherent attribute of all living and non-living things, in turn suggests that language is an interconnecting force linking organisms, matter and phenomena within complex environments and systems. Perhaps then trees can be heard, and their language might be visualized as a strange inscribing of processes occurring over time that resound within and for a specific material community – like a forest.”
Anne Noble is one of New Zealand’s most respected photographers. Her substantial body of work spans landscape, documentary and installations that incorporate both still and moving images. She often works in series enabling her to explore the medium and its possibilities in great depth.


Two Rooms is a contemporary art exhibition venue located in a converted warehouse in Central Auckland, New Zealand. Opened in August 2006, Two Rooms presents a program of residencies and projects by leading International and New Zealand contemporary artists. The building houses two exhibition spaces, the Project Room and the Long Room.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services