
Two Rooms is pleased to present the third solo exhibition by British artist, Basil Beattie - a series of oil stick paintings on handmade paper that echo his celebrated large-scale paintings on canvas. All executed within the last year these new works come directly from his 2018 solo exhibition, A Passage of Time at the Royal Academy of Arts, London.
Beattie’s visual language employs pictograms alongside architectural and spatial components to explore the endless possibilities of abstract pictorial space, acting as vehicles for conveying numerous symbolic associations. Beattie states, “My main intention is to refocus the meaning of these works, through the painted language, to a metaphorical level where the physical meaning ceases, but the ideas associated with them, such as progress, traveling through time, carefully negotiating the route etc. are there for contemplation.”
Basil Beattie is one of Britain’s most respected painters with an illustrious career spanning over 60 years. His work is in the collection of TATE London, and he has been invited to exhibit in major public galleries throughout the UK. His extensive teaching career at Goldsmiths’ College through the 1980s until 1998 has exerted a substantial influence on successive generations of artists.
British artist Basil Beattie is amongst the most respected abstract artists worldwide and has been described as “one of the most significant of bridges in the generations of contemporary abstract painters” (Nick de Ville). His career spans the emergence of abstract expressionism in the UK in the late 1950’s through to a more recent emphases on the ambiguities of signification and ironies of reference that have dominated visual art practice since the 1980s. Beattie’s work was showcased in a Tate Britain display in 2007, which featured major acquisitions of his work made over the last 20 years, and his work is held in many public collections throughout UK.
Beattie’s works invest strongly in the physicality of the painted object, however the expressive gesture colludes with a range of visual references that can be understood as alluding to language. A signature aspect of his work is the use of recurrent pictographic ‘signs’, which draw on recognisable forms: tunnels, steps, ziggurats, ladders and
doorways. With these he explores the formal propositions and technicalities of painting and the symbolic possibilities that arise through his use of motifs. Essentially ambiguous, these signs are –as the writer Mel Gooding describes them - ‘thresholds’ to an experience of the work that takes place in the subconscious.


Two Rooms is a contemporary art exhibition venue located in a converted warehouse in Central Auckland, New Zealand. Opened in August 2006, Two Rooms presents a program of residencies and projects by leading International and New Zealand contemporary artists. The building houses two exhibition spaces, the Project Room and the Long Room.

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