Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...
The fifth edition of Sydney Contemporary will take place once again at Carriageworks between 12 and 15 September 2019, with Spring 1883 bringing together a cohort of 27 galleries from across Australia and the region to inhabit rooms at the Establishment Hotel from 11 to 14 September 2019, uniquely presenting contemporary works propped up on...
Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...
Victoria Miro, in association with The Great Women Artists, presents a summer exhibition featuring three young artists who rethink traditional genres to touch upon themes of migration, the workplace, and the gendered language of painting. Founded by Katy Hessel in 2015 @thegreatwomenartists is an influential Instagram account that celebrates female artists, ranging from recent graduates to Old Masters, on a daily basis.
Based in Brooklyn, María Berrío grew up in Colombia. Her large-scale works, which are meticulously crafted from layers of Japanese paper, reflect on cross cultural connections and global migration seen through the prism of her own history. Populated predominantly by women, Berrío's art often appears to propose spaces of refuge or safety, kaleidoscopic utopias inspired in part by South American folklore, where humans and nature coexist in harmony. To these apparently idealised scenes, however, Berrío brings to light the hard realities of the current political climate in America. For example, Oda a la Esperanza (Ode to Hope) (2019), in which girls appear captive within an institution-like environment, refers to the Trump administration's family separation policy.
In her quietly luminous paintings, Scottish-born, London-based painter Caroline Walker focuses on intimate portrayals of women at work in domestic and public spaces, including hotel maids, office workers and shop assistants. Often caught in unguarded moments, and surrounded by the luxurious goods and services that they are required to sell, mend or clean, Walker's subjects possess an acute psychological intensity. As viewers, we come across them almost as intruders into their world–encountering private thoughts in public spaces, narratives hinted at but never fully told. Rendering visible the often faceless, and voiceless, women behind our image consciousness and conspicuous consumerism, Walker complicates the traditional idea of woman as subject, while illuminating the overlooked subject of the workplace in contemporary painting.
In her large-scale paintings London-based artist Flora Yukhnovich adopts the language of Rococo. Reimagining the dynamism of historic works by eighteenth century artists such as François Boucher, Nicolas Lancret and Giovanni Battista Tiepolo, Yukhnovich brings classically-inspired painterly traditions into a more consciously feminine and contemporary realm by featuring wisps of millennial pinks and purples. Variation is a driving force in Yukhnovich's work with her mark making ranging from delicate flourishes to dramatic and gestural brushstrokes, heightening the rhythmic sensuality that plays throughout her ambitious compositions. Existing in a constantly fluctuating state between abstraction and figuration, Yukhnovich's paintings explore ideas surrounding dualities and multiplicities, transcending gendered painterly traditions while fusing high art with popular culture, and intellect with intuition.
A series of talks and events will take place during the exhibition. Please see the gallery website and @thegreatwomenartists for further information.
María Berrío (born 1982) completed her BFA at Parsons School of Design in 2004, and her MFA at the New York School of Visual Arts. Berrio has had numerous solo exhibitions in Los Angeles and New York. Recent institutional shows include Nasher Museum of Art, Durham, NC, Prospect.4 Triennial, New Orleans, LA, Weatherspoon Museum, Greensboro, NC, El Museo del Barrio, New York, NY. Berrío's work is housed in collections such as Crystal Bridges Museum of American Art, AR, The Ford Foundation, NY, Nasher Museum of Art, NC, and the Whitney Museum of American Art, NY.
Caroline Walker (born 1982) completed her BA at Glasgow School of Art, and her MA at Royal College of Art, London. Recent solo exhibitions include Kettle's Yard, Cambridge, GRIMM, Amsterdam and New York; Anat Egbi, Los Angeles. Her work has been included in group exhibitions at the Whitechapel Gallery, London; Sainsbury Centre, Norwich, Walker Art Gallery, Liverpool, GASK, Czech Republic, and Rudolfinum, Prague. International collections include Saatchi Collection, London; Government Art Collection, UK; the Frank-Suss Collection, London, ING Bank Collection, Netherlands. A major monograph on her work was published by Anomie in Autumn 2018.
Flora Yukhnovich (born 1990) completed her MA at the City & Guilds of London Art School in 2017. Yukhnovich had her first solo exhibition at Parafin, London, in March 2019, and has recently exhibited at GASK, the Gallery of the Central Bohemian Region, Czech Republic, and the Jerwood Gallery Hastings. Collections include Government Art Collection and David Roberts Art Collection. In 2018 she completed The Great Women Artists Residency at Palazzo Monti, Brescia.
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