An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...
Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...
即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
Waddington Custot is pleased to present an exhibition of new work by American sculptor Jedd Novatt. The exhibition will comprise of new, large-scale sculptures from Novatt’s Chaos series, and will be his first solo exhibition at Waddington Custot.
Novatt’s Chaos sculptures, constructed from linear, asymmetrical and quadratic shapes, are a group of works he has been developing since 2008. This exhibition will show Novatt’s most recent sculptures from the series, including three large-scale stainless steel sculptures at almost 3-metres high. These will be shown alongside a selection of smaller stainless-steel sculptures and table-top sculptures constructed in Cor-ten steel.
Novatt’s sculptures seek to investigate and challenge preconceived notions of space and interaction with sculpture. His new works continue to explore space, the work being less about the physical sculptural form than the void it contains. The sculptures’ open cubic forms carve out space, whilst the sculptures themselves appear on the verge of collapse. The solidarity of the cube is often subverted by breaks which disrupt the geometric clarity and further emphasise the precarious nature of the sculpture.
Novatt achieves a weightlessness through his dynamic compositions which is juxtaposed with the perceived weight of the industrial metals that he employs. His decision to use brushed stainless and Cor-ten (weathering) steel can be understood as a stripping away the obvious material quality, and going some way towards reducing the strength of form.
Scale and light are important elements in Novatt’s work. By placing large and small-scale works in conversation he is not only exploring scale but also material, highlighting and exaggerating the differences. He is interested in the site-specific, making sculpture that the architecture of the gallery can only just contain, creating a tension between the architectural and sculptural boundaries. Light is equally significant for Novatt, who sees the shadows cast by his sculptures as an extension of the physical work and a form of drawing in space. This concept is emphasised by dramatic lighting of the installation within the gallery space.
Earlier sculptures from Novatt’s Chaos series are installed worldwide in prominent public collections, such as Pérez Art Museum, Miami, Florida; Middlebury College Museum of Art, Vermont; SCAD Museum of Art, Savannah, Georgia; La Piscine Musée d’Art et d’Industrie, France; Chatsworth House, Derbyshire and City of Bilbao, Spain.
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