
London-based American artist Lydia Pettit makes paintings and textile works that explore trauma, body image and self-identity. Using herself as a model, Pettit questions how the female image is registered and accepted and, in the process, addresses the complex impact of the objectification of women within society.
Pettit focuses on aspects of looking, self-belief and shame and how these are bound up with an idealised notion of the feminine. At the same time, her work provides a direct and unmediated insight into her own individual struggle, a narrative of self-empowerment resulting from personal traumatic life experience. Turning her focus inwards, and often depicting her own body nude, she meets the viewer’s gaze, demanding the acceptance of her own supposed imperfections while simultaneously making the viewer question their perception of classical pictorial beauty.
Lydia Pettit is a Baltimore-born painter, embroidering/quilting/patchwork wall-relief maker, and curator living in London.




An international art powerhouse, White Cube was established in 1993 in London by art dealer Jay Jopling. In its space on Duke Street, it served as the early exhibition venue for many now internationally acclaimed British artists, including Tracey Emin, Gilbert & George, Rachel Kneebone and Antony Gormley, who still show with the gallery today.

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