
Yeo Workshop is pleased to present the fourth solo presentation of Fyerool Darma, l♠nd$¢♠pΞ$, with a series of new works.
Fyerool perceives found images and texts, from digital and other archival sources as collaborators. Drawing equally upon illusion and allusion, he weaves, interlaces, embroiders and paints these varied materials together.
The presentation, including the walls of the gallery itself, is an exercise in composing oneself and decomposing images to recompose a visual pantun or culturally-modular quatrain in a context of hypervisuality and climate change. The exercises have been developed in experimental antilinear conversation with Karin Oen.





















Fyerool Darma (b. 1987, Singapore) integrates sound, video, new media, sculpture, texts and craft practices into his object and material experimentations, which juxtapose the aesthetics and ideology of modernism alongside Southeast Asian cultures, histories, aesthetics, and politics. He has gradually developed a complex visual vocabulary that draws from sources including tangible and intangible Malay heritage, archives, the Internet, literature, popular culture, the history of craft, visual arts, manufacturing, and manual labour. Apart from art-making, he divides his time teaching art to youths at a non-profit organisation situated in Jurong, and attending to his family and caring for Pipi, their reptilian housemate.
Yeo Workshop is a contemporary art gallery based in Singapore’s Gillman Barracks, dedicated to showcasing Southeast Asian artists who push the boundaries of visual culture. From traditional painting and sculpture to cutting-edge digital media, the gallery fosters a bold and diverse program that engages with pressing socio-cultural issues, encouraging critical dialogue and fresh perspectives.

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