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transmediale Artistic Director Kristoffer Gansing Looks Back Ocula Conversation transmediale Artistic Director Kristoffer Gansing Looks Back Terence Sharpe, Berlin

Kristoffer Gansing traces eight years of change at Berlin's digital media and culture festival transmediale, as his final iteration as artistic director, End to End , opens 28 January.

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Taipei Lowdown: Shows to See Ocula Report Taipei Lowdown: Shows to See Tessa Moldan, Taipei

As Taipei Dangdai returns for its second edition between 17 and 19 January 2020 at the Nangang Exhibition Center, a selection of exhibitions across the city confirm Taipei as one of the region's most exciting art hubs.

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Images from Abroad: Lada Nakonechna at Galerie EIGEN + ART Ocula Insight Images from Abroad: Lada Nakonechna at Galerie EIGEN + ART Phoebe Blatton, Berlin

Images from abroad , Lada Nakonechna's solo exhibition at Galerie EIGEN + ART in Berlin, considers the barriers that exist between depictions of conflict and their viewers.

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HomePage Artists

b. 1928, Brazil

Abraham Palatnik Biography

Abraham Palatnik is aseminal figure of Brazilian kinetic and optical art. His interests lie in technology and the study of motion and light, the realms responsible for the functional, playful, poetic results that made his work known over seven decades’ worth of output. He rose to prominence in the art scene after creating his first Aparelho Cinecromático (Kinechromatic Device, 1949), whereby he set out to reinvent painting practice through light interplay and by relying on technological apparatus to create kaleidoscopic images on screen. Shown in the 1st Bienal de São Paulo (1951), his light installation was not included in the grand prize competition because it didn’t fit any of the art categories then in existence, but its originality won it an honourable mention from the international jury. Palatnik has control over the entire production of his pieces, which denotes less of an artisanal view of technology than it does an availability to experiment and take on production challenges. Instead of the fascination of some contemporary art for new media, the artist has focused since the outset of his career on the possibilities of machines and their processes, evoking a specific art-technology relationship.

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His later series of progressions and reliefs in assorted materials, like wood, duplex cardboard and acrylic, also betray his interest in kinetic and optical effects, achieved through meticulous craftsmanship. The result is abstract compositions marked by rhythmic patterns reminiscent of the irregular movement–although his famed W series incorporated laser cuts made by a specialised company. Palatnik still arranges each of his pieces by hand, after cutting and painting them to complete his pictures.

Abraham Palatnik was born in Natal, Brazil, 1928, and lives and works in Rio de Janeiro, Brazil. His work has been featured in numerous exhibitions in Brazil and elsewhere, including eight editions of the Bienal de São Paulo, Brazil (1951–1969), and the 32nd La Biennale di Venezia, Italy (1964). A recent, major career-spanning show of his, Abraham Palatnik–A Reinvenção da Pintura (Abraham Palatnik–The Reinvention of Painting), was featured in several Brazilians venues including: Centro Cultural Banco do Brasil Rio de Janeiro (CCBB-RJ), Rio de Janeiro, 2017; Fundação Iberê Camargo (FIC), Porto Alegre, 2015; Museu Oscar Niemeyer (MON), Curitiba, 2014; Museu de Arte Moderna de São Paulo (MAM-SP), São Paulo, 2014; and Centro Cultural Banco do Brasil Brasília (CCBB-DF), Brasília/DF, 2013.

Main recent group show include: The Other Trans-Atlantic: Kinetic & Op Art in Central & Eastern Europe and Latin America 1950s_1970s, Sesc Pinheiros, São Paulo, Brazil, 2018, Garage Museum of Contemporary Art, Moscow, Russia, 2018, and Museum of Modern Art in Warsaw, Warsaw, Poland, 2017–18; Delirious: Art at the Limits of Reason, 1950–1980, The Metropolitan Museum of Art (The Met Breuer), New York, USA, 2018; and Kinesthesia: Latin American Kinetic Art 1954–1969, Palm Springs Art Museum (PSAM), Palm Springs, USA, 2017–18. His works are included in important institutional collections, such as: Itaú Cultural, São Paulo, Brazil; Museu de Arte Moderna do Rio de Janeiro (MAM Rio), Rio de Janeiro, Brazil; Museu de Arte Moderna de São Paulo (MAM-SP), São Paulo, Brazil; Royal Museums of Fine Arts of Belgium, Brussels, Belgium; The Adolpho Leirner Collection of Brazilian Constructive Art – Museum of Fine Arts Houston (MFAH), Houston, EUA; and The Museum of Modern Art (MoMA), New York, USA.

Abraham Palatnik Featured Artworks

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W-VA/6 by Abraham Palatnik contemporary artwork
Abraham PalatnikW-VA/6, 2019Acrylic paint and enamel on wood
125 x 110 cm
Galeria Nara Roesler Enquire about this work
W-H/69 by Abraham Palatnik contemporary artwork
Abraham PalatnikW-H/69, 2018Acrylic paint on wood
110 x 170 cm
Galeria Nara Roesler Enquire about this work
Untitled by Abraham Palatnik contemporary artwork
Abraham PalatnikUntitled, 2018Acrylic paint on wood
74.5 x 90.5 cm
Galeria Nara Roesler Enquire about this work
W-H/57 by Abraham Palatnik contemporary artwork
Abraham PalatnikW-H/57, 2017Acrylic paint on wood
104.2 x 168.3 cm
Galeria Nara Roesler Enquire about this work
Kinetic Object KK-10 by Abraham Palatnik contemporary artwork
Abraham PalatnikKinetic Object KK-10, 1967/2009Wood, motor, formica and steel
77 x 90 x 15 cm
Not For Sale
Galeria Nara Roesler
Relevo progressivo by Abraham Palatnik contemporary artwork
Abraham PalatnikRelevo progressivo, 2014Duplex paperboard and wood
32.7 x 29.9 inches
Galeria Nara Roesler Enquire about this work
Untitled by Abraham Palatnik contemporary artwork
Abraham PalatnikUntitled, 1982Progressive relief on duplex paperboard and wood
32.7 x 29.9 inches
Galeria Nara Roesler Enquire about this work
W-H/86 by Abraham Palatnik contemporary artwork
Abraham PalatnikW-H/86, 2018Acrylic on wood
110 x 170 cm
Galeria Nara Roesler Enquire about this work

Abraham Palatnik Current & Recent Exhibitions

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Contemporary art exhibition, Abraham Palatnik, Obras Recentes e Pontuações Históricas at Galeria Nara Roesler, São Paulo
Upcoming
8 February–21 March 2020 Abraham Palatnik Obras Recentes e Pontuações Históricas Galeria Nara Roesler, São Paulo
Contemporary art exhibition, Group Exhibition, Reflections on Time and Space at Galeria Nara Roesler, Rio de Janeiro
Closed
16 September–2 November 2019 Group Exhibition Reflections on Time and Space Galeria Nara Roesler, Rio de Janeiro
Contemporary art exhibition, Group Exhibition, Reflections on Space and Time at Galeria Nara Roesler, São Paulo
Closed
1 April–11 May 2019 Group Exhibition Reflections on Space and Time Galeria Nara Roesler, São Paulo

Abraham Palatnik Represented By

Abraham Palatnik In Related Press

Picks: Abraham Palatnik at Galeria Nara Roesler, New York Related Press Picks: Abraham Palatnik at Galeria Nara Roesler, New York 28 June 2016, Artforum

One of the highlights of Frieze New York last month was this gallery’s presentation of Abraham Palatnik, an octogenarian Brazilian artist whose Kinechromatic Devices,  1951–2004, helped to pioneer kinetic light art during the mid-twentieth century. Though included in venues such as the first Bienal de São Paulo in 1951, and the...

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Galeria Nara Roesler: Brazilian art gallery launches its first New York outpost Related Press Galeria Nara Roesler: Brazilian art gallery launches its first New York outpost 8 March 2016, Wallpaper

Galeria Nara Roesler – the Brazilian gallery with bases in both São Paulo and Rio de Janeiro – has opened an outpost in Manhattan’s Chelsea, at 47 West 28th Street. Nara Roesler's inaugural US space also makes it the first Brazilian gallery to take on the New York art scene on its own turf. The eponymous gallerist, who...

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Bringing Latin American Masters of Kinetic and Light Art Out of Obscurity Related Press Bringing Latin American Masters of Kinetic and Light Art Out of Obscurity 12 August 2015, Hyperallergic

Twentieth-century kinetic and light art has long been the redheaded stepchild of the art world. The Museum of Fine Arts, Houston’s (MFAH) Cosmic Dialogues: Selections from the Latin American Collection is part of an emergent shift toward inclusivity driven by identity politics and the rising centrality of media art. Mari Carmen Ramírez,...

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