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Ocula ReportIranian Art at LACMA: In the Fields of Empty Days12 Jun 2018 : Perwana Nazif for Ocula{{document.location.href}}
In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art at the Los Angeles County Museum of Art (LACMA, 6 May–9 September 2018), explores 'the continuous and inescapable presence of the past in Iranian society.' Curated by Linda Komaroff, curator of Islamic art and head of LACMA's Art of the Middle East department, the...
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Ocula ConversationLaure Prouvost{{document.location.href}}
Laure Prouvost's most recent exhibition in New York at Lisson Gallery (9 March–14 April 2018) was a gesamtkunstwerk of sorts. The show spread through the entire 10th Avenue gallery space and included two years of artistic production: installation, sculpture, painting, textile, sound and moving image. Uncle's Travel Agency Franchise, Deep Travel...
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Ocula ReportDak’Art Biennale 2018: The Red Hour1 Jun 2018 : Federica Bueti for Ocula{{document.location.href}}
On my last evening in Dakar, I made my way to Yarakh, a neighbourhood on the eastern side of the Senegalese capital, where I was guided down a narrow sandy path toward a beach where a group of actors, artists, and locals were taking part in or attending the performance Xeex Bi Du Jeex (a luta continua). The play was written collaboratively in 2018...
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The husband-and-wife team of Isabel and Alfredo Aquilizan creates works that use the processes of collecting and collaborating to express ideas of migration, family and memory. Often working with local communities, the Aquilizans bring together personal items to compose elaborate, formal installations reflecting individual experiences of dislocation and change.

Recent works have used the form of balikbayan crates, which Filipino migrants use to transport belongings, as moulds for room-sized constructions made of clothing and other personal effects. For APT6, the Aquilizans produced an enormous suspended sculpture titled In-Flight(Project Another Country) (2009). The work takes the shape of an aeroplane, constructed from hundreds of small handmade planes. This aggregation of tiny sculptures, created by children and adults from found objects and materials, will be added to during the course of the exhibition.

Having migrated from the Philippines to Australia, the Aquilizans' work reflects personal experience, while conveying points of exchange and communication that extend beyond borders.

Both live and work in Brisbane, Australia.

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