Alice Trumbull Mason was a pioneering American abstract artist whose architectonic, geometric paintings and prints helped define the trajectory of 20th-century contemporary art. A founding member of the American Abstract Artists group, Mason’s commitment to non-objective art and her leadership in the promotion of abstraction established her as a central figure in American art history. Her work has been celebrated in major retrospectives, including at the Whitney Museum of American Art, and is now represented by Galerie Lelong & Co., New York, in collaboration with the Emily Mason and Alice Trumbull Mason Foundation.
Born in Litchfield, Connecticut, in 1904, Alice Trumbull Mason was a direct descendant of the 18th-century painter John Trumbull. She spent part of her youth in Italy, studying at the British Academy in Rome in 1921–1922. On her return to the United States, Mason continued her studies at the National Academy of Design with Charles Hawthorne, and later at the Grand Central School of Art in New York, where she was influenced by Arshile Gorky. Travels in Italy and Greece in the late 1920s exposed her to archaic Greek sculpture and Byzantine mosaics, which would become enduring influences in her art.
Mason married Captain Warwood Mason in 1930 and had two children, Emily Mason—who also became a noted painter—and Jonathan Mason. After a period focused on poetry and literary correspondence, including with Gertrude Stein, Mason returned to painting and became a leader in the American Abstract Artists group, serving as treasurer, secretary, and president.
Alice Trumbull Mason’s artworks are defined by their evolution from biomorphic abstraction to geometric, architectonic compositions. Her approach to art was grounded in a belief in the expressive potential of materials and the construction of form, rather than representation.
In the late 1920s and early 1930s, Mason’s work featured biomorphic forms and expressive lines, influenced by European modernism and Surrealism. She was the only artist to exhibit abstract work at the 1935 Washington Square Art Show in New York, marking her early commitment to abstraction.
By the 1940s, Mason shifted to geometric abstraction, influenced by Piet Mondrian and Constructivism. Paintings such as Latitude of Identical Shapes (1947) and her later works display her signature “architectural abstraction,” characterised by interlocking forms, rhythmic patterning, and a restrained palette. Her work diverged from the gestural style of Abstract Expressionism, focusing instead on structure and harmony.
In 1945, Mason began working at Atelier 17 in New York, the experimental printmaking studio founded by Stanley William Hayter. There, she explored intaglio techniques, extending her abstract vocabulary into graphic media. In 1952, she began making woodcuts, distilling her compositions into sharp, interlocking forms and dynamic rhythms. The woodcut medium allowed her to emphasise contrast, symmetry, and spatial tension, resulting in works that are both architectural and expressive.
Alice Trumbull Mason has been the subject of both solo exhibitions and group exhibitions at important institutions. Below is a selection.
Alice Trumbull Mason’s legacy is managed by the Emily Mason & Alice Trumbull Mason Foundation (ematm.org).
Her artworks are held in major public collections, including the Whitney Museum of American Art, the Museum of Modern Art, the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Hirshhorn Museum and Sculpture Garden, and the Solomon R. Guggenheim Museum. Her work is also shown at Galerie Lelong & Co., New York.
She is a foundational figure in American geometric abstraction and a leading member of the American Abstract Artists group, known for her architectonic, non-objective paintings.
Her style evolved from biomorphic abstraction to geometric, architectonic compositions, marked by a focus on structure, line, and the expressive potential of materials.
Mason was a leader in the American Abstract Artists group, advocating for abstraction and mentoring younger artists. Her organisational work and commitment to non-objective art were instrumental in gaining recognition for abstraction in the United States.
She was the only artist to show abstract work at the 1935 Washington Square Art Show. Her daughter, Emily Mason, also became a prominent painter. Mason corresponded with literary figures such as Gertrude Stein and William Carlos Williams, and her poetry was an important part of her creative life.
Her name is pronounced: ‘AL-iss TRUM-bull MAY-sun’.
Ocula | 2025

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