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58th Venice Biennale: May You Live In Interesting Times Ocula Report 58th Venice Biennale: May You Live In Interesting Times 24 May 2019 : Mohammad Salemy for Ocula

The 58th Venice Biennale, May You Live In Interesting Times (11 May–24 November 2019), certainly benefitted from low expectations, given the lacklustre curatorial of the previous edition, when different segments of the show were conceptually framed with titles like 'Pavilion of Joys and Fears' and 'Pavilion of Colours'. Add to this the...

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Zheng Bo Ocula Conversation Zheng Bo

Hong Kong-based artist Zheng Bo's social, ecological, and community-engaged art practice has, in recent years, focused on moving beyond a human-centred perspective to an all-inclusive, multi-species approach. He takes up marginalised plants and communities of people as subjects in his large-scale interventions, which reintroduce wildness into...

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Auckland Art Fair 2019: Conversations Extended Ocula Report Auckland Art Fair 2019: Conversations Extended 24 May 2019 : Sherry Paik for Ocula

The weather was clement for the annual Auckland Art Fair (2–5 May 2019), which was again at The Cloud on Queens Wharf. This year's edition was a get-together of 41 galleries, mostly from around Auckland and across New Zealand, with 5 spaces hailing from Sydney and the rest from Cook Islands (Bergman Gallery), Hobart (Michael Bugelli Gallery),...

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Immersed in a process that is both conceptual and material, Ariel Hassan has at the core of his work a simple procedure – a small quantity of different coloured paints are poured and allowed to run together on small panes of glass. In a vivid demonstration of the beauty of fluid mechanics, the different colours remain intact to a certain degree, and swirl around each other creating unpredictable patterns on both the macroscopic and microscopic level. Hassan later scans selected areas of these abstract images and manipulates the colour and composition in a computer. A print is produced which he painstakingly copies onto a large canvas with paint and brush. This hand-made painting is a crucial stage since it not only results in unexpected details and divergences from the print but also adds a human texture and an aura of authenticity, even mystery. -Imant Tillers on Ariel Hassan

In Ocula Magazine

A report on Australian representation at the 56th Venice Biennale: 'All The World’s Futures' curated by Okwui Enwezor Ocula Report A report on Australian representation at the 56th Venice Biennale: 'All The World’s Futures' curated by Okwui Enwezor 19 May 2015 : Tess Maunder for Ocula

On the 120th anniversary of its inaugural exhibition in 1895, Nigerian-born curator, Okwui Enwezor, has this year directed the 56th iteration of the Venice Biennale. Titled All The World’s Futures, the exhibition is centred on re-articulating the politics of representation in the wake of colonialism. Since the nineties, the spike in...

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