Stéphane Verlet-Bottéro is an independent curator and artist who lives and works in London, Paris, and Dakar. Participating in Taipei Biennial 2020, Verlet-Bottéro collaborated with Taipei-based artist Margaret Shiu and Taichung-based independent curator and artist Ming-Jiun Tsai.
Arts of Coming Down to Earth (2020), Stéphane Verlet-Bottéro’s project with Margaret Shiu and Ming-Jiun Tsai, develops a series of actions, studies, and workshops that deal with the political significance of the atmospheric reality of exhibition-making. By methodically mapping the ecological causality of Taipei Biennial 2020, it seeks to understand the exhibition’s material existence in terms of CO2 emissions. An exercise in carbon mirroring, this investigation uses various greenhouse gas emission tracking tools and sets of data to document the Biennial’s contribution to the combustion of the world, from artwork production to artist travels and museum cooling.
The exercise unfolds in a collective understanding of cultural institutions’ necessary transformation towards multi-species conviviality and radical sustainability. In collaboration with Geotechnical Engineering Office of Taipei City Government and Taipei Forestry Technologist Association, TFAM has committed over the next years to reforest a large area of land in Taipei, focus on biodiverse reforestation and protection. Advancing a ‘poetics of restoration,’ the program of action speculates on a terrestrial future in which museums would expand their maintenance practices beyond the object, to non-human collectives.
Ocula 2020

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