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LACMA Explores the Allure of Matter Ocula Report LACMA Explores the Allure of Matter 14 Jun 2019 : Jareh Das for Ocula

The Allure of Matter: Material Art from China at Los Angeles County Museum of Art (LACMA) (2 June 2019–5 January 2020) is an inter-generational show of 21 Chinese artists working from the 1980s to the present, including Ai Weiwei, Cai Guo-Qiang, Lin Tianmiao, Song Dong, He Xiangyu, Yin Xiuzhen, and Ma Qiusha.Staged on Level 2 of LACMA's Renzo...

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Thomas J Price: Reframing Classical Sculpture Ocula Conversation Thomas J Price: Reframing Classical Sculpture

When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...

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Art Basel Lowdown: Shows to See Ocula Report Art Basel Lowdown: Shows to See 6 Jun 2019 : Tessa Moldan for Ocula

To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see.William Kentridge, Dead Remus (2014–2016). Charcoal on found ledger...

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In her introduction to Chao Chung-hsiang, the second catalogue the gallery produced for the artist, Alice King noted “to Chao, painting was not merely a pictorial representation but a continuous thought process related to one’s spiritual well-being and outlook on life. He worked tirelessly to ensure that contemporary Chinese painting would become part of the mainstream and not a mere tributary of Western art.”

Like Zao Wou-Ki, Chu Teh-chun and Wu Guanzhong, Chao studied under the renowned artist Lin Fengmian at the National Institute of Art, Hangzhou (currently the China Academy of Art) before graduating in 1939. In 1948, he immigrated to Taiwan, and in 1956 won a fellowship to study in Spain. He toured Paris and Europe, before settling in New York in 1958, where he remained for most his life. There he discovered for himself American Abstract Expressionist art, which inspired him to work conscientiously to achieve a synthesis of East and West. The main subjects of Chao's work are flowers and fish, birds, the cosmos and abstraction. From the 1970s, Yin-Yang symbols and hexagrams derived from the ancient Chinese divination text I-Ching began appearing in his paintings, referencing Buddhism, Taoism and Confucianism. In his paintings, blocks of dazzling fluorescent colour sporadically float upon expressive images rendered in rich ink washes. After more than thirty years in New York City, he moved to Hong Kong in 1989, then to Chengdu, and finally to Taiwan. He passed away in 1991, at the age of eighty-one.

In 1972, Chao won the New York Creative Artists Public Service Program Award. From 1997-99 his works were exhibited in the important travelling group exhibition Asian Traditions/Modern Expressions, organised by the Jane Voorhees Zimmerli Art Museum, Rutgers University. His work was also included in the exhibition China: 5,000 Years held at the Guggenheim Museum in 1998.

Alisan Fine Arts began representing Chao in 1985 and has organised four major solo exhibitions for him since 1992, including two travelling shows, in 1999 at the Zhejiang West Lake Art Museum; Hong Kong Arts Centre; Alisan Fine Arts; Club 21 Gallery in Singapore, in 2004 at National Museum of History, Taipei; National Art Museum of China, Beijing; Shanghai Art Museum; Galerie Adler, Paris; Hong Kong Arts Centre. Chao’s works have been frequently exhibited at internationally renowned museums, including at the Guggenheim Museum, Zhu Qizhan Art Museum, and Hong Kong Museum of Art. Sotheby’s Hong Kong Gallery organised a solo exhibition for him in 2014. Alisan Fine Arts manages the artist’s estate.

His works have been collected by the Metropolitan Museum of Art, New York; Columbia University, New York; The Art Institute of Chicago, Chicago; National Art Museum of China, Beijing; Shanghai Art Museum, Shanghai; Zhejiang Westlake Art Museum, Hangzhou; Taipei Fine Arts Museum, Taiwan; Hong Kong Museum of Art, Hong Kong; and M+, Hong Kong.

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Featured Artworks

Green Flash by Chao Chung-hsiang contemporary artwork
Chao Chung-hsiangGreen Flash, 1983 Chinese ink & acrylic on paper
66 x 68 cm
Alisan Fine Arts
Celebrating Life's Cycles by Chao Chung-hsiang contemporary artwork
Chao Chung-hsiangCelebrating Life's Cycles, 1980 Chinese ink and acrylic on paper
109 x 83 cm
Alisan Fine Arts
Nesting by Chao Chung-hsiang contemporary artwork
Chao Chung-hsiangNesting, c. 1970 Chinese ink and acrylic on paper
90 x 61 cm
Alisan Fine Arts
On Golden Pond by Chao Chung-hsiang contemporary artwork
Chao Chung-hsiangOn Golden Pond, 1977 Chinese ink and acrylic on paper
92.7 x 61 cm
Alisan Fine Arts

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