Ocula Conversation Pierre Huyghe: The Artist as Director Pierre Huyghe is a producer of spectacular and memorable enigmas, with works that function more like mirages than as objects. Abyssal Plain (2015–ongoing), his contribution to the 2015 Istanbul Biennial, curated by Carolyn Christov-Bakargiev, was installed on the seabed of the Marmara Sea, some 20 metres below the surface of the water and close to...
Ocula Report MoMA Expansion: Once the Modern, Always the Modern 29 Nov 2019 : Mohammad Salemy for Ocula In the early decades of its existence, New York's Museum of Modern Art (MoMA), founded in 1929, transformed from a philanthropic project modestly housed in a few rooms of the Heckscher Building on the corner of Fifth Avenue and 57th Street, to an alleged operating node in the United States' cultural struggle during the cold war, and one of the...
Ocula Insight | Video Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...
Using a wide variety of materials- from shopping trolleys to video to food- Choi Jeong Hwa's playful practice comments on the priveleged status of art and its institution. His most well known installations are spectacular inflatable blooms. These colourful public works create a bridge between the modern world and the cosmological realm of Asian symbolism. The lotus, as a symbol of purity and divinity, is rewritten as an immortal icon of commodity culture. And avid collector of urban detritus, Choi Jeong Hwa is regarded as a founding member of the Korean Pop Art movement.
Related Press 8 highlights from the inaugural Honolulu Biennial 2017 Art Radar Journal : 5 April 2017 Held over nine sites and including 33 artists, the first edition of the Honolulu Biennial takes place between 8 March and 8 May 2017. Entitled Middle of Now | Here, the Biennial challenges the idea that Hawaiʻi is in 'the middle of nowhere'. Covering more than 30 percent of the Earth's surface, the Pacific is the largest unified living space on...
Related Press Public art invades Anyang The Korea Times : 27 October 2016 Among commercials screened at Anyang Station on Seoul Metro Line 1 is a video featuring Anyang citizens playing American rock band Guns N' Roses' Paradise City. This is video artist Park Bo-na's Paradise City, which aims to connect the past and present of Anyang with its future as a part of the city's efforts to encourage public...
Related Press South Korean artist Choi Jeong-Hwa combines Buddhism and pop culture at Kiasma Finland Today : 29 August 2016 True to the old-school Pop tradition of blending sincerity with irony, Choi Jeong-Hwa is an ambiguous artistic character. Attending the opening of his first exhibition in Finland this week, the South Korean artist cut a quietly charismatic and curiously graceful figure as he accompanied press around the opening of his exhibition, Happy Together....
Related Press 8 highlights from the 8th Asia-Pacific Triennial of Contemporary Art Art Radar : 25 November 2015 On display from 21 November 2015 to 10 April 2016 at Brisbane’s Queensland Art Gallery | Gallery of Modern Art (QAGOMA), this year’s Asia-Pacific Triennial of Contemporary Art has a special focus on the role of performance with live performances, video, kinetic art, figurative painting and sculpture. Many of the artworks explore...
