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Sharjah Biennial 14: Leaving the Echo Chamber Ocula Report Sharjah Biennial 14: Leaving the Echo Chamber 15 Mar 2019 : Stephanie Bailey for Ocula

In Meiro Koizumi's three-channel video installation, The Angels of Testimony (2019), the central frame features an interview with Hajime Kondo about his time as a solider of the Imperial Japanese Army during the Second Sino-Japanese War. The conversation centres on war crimes perpetrated in China, including the beheading of Chinese prisoners for...

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Diana Campbell Betancourt Ocula Conversation Diana Campbell Betancourt

Diana Campbell Betancourt is a curator working predominantly across South and Southeast Asia. Since 2013 she has been the founding artistic director of the Samdani Art Foundation and chief curator of the Dhaka Art Summit in Dhaka, Bangladesh, a transnational art event that has grown in size and scale ever since its first edition in 2012. Backed by...

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Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art Ocula Report Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art 7 Mar 2019 : Mike Pinnington for Ocula

China, home to 802 million internet users, is subject to sophisticated online censorship. This shrouded state of affairs, unsurprisingly perhaps, serves to reinforce stereotypes around conformity elsewhere. Any realm, digital or otherwise, subject to such strict scrutiny must necessarily be bland and uncritical, right? I was mulling over such...

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Fernando Casasempere (born 1958) is a sculptor working with ceramics, the traditional material of pottery, and his work explores ideas of landscape and the environment. Conceptually his use of earth/clay and his concern with nature and ecological issues connects him to artists associated with the Land or Earth Art movement, such as Robert Smithson and Richard Long, but Casasempere works out of a different cultural tradition, being profoundly inspired by the Pre-Columbian art and architecture of Latin America. He is inspired by the the Chilean landscape but also the processes by which that landscape has been exploited. In particular, he has worked with copper tailings (or relave in Spanish), industrial waste materials produced by copper mining (copper being the principle export of Chile) to make work that explores ideas around ecology and geology and to introduce extraordinarily rich colours and textures. Casasempere's work calls into question the relationship between art and the environment, between culture and the earth itself from which the sculptures are made. Although his work is predominantly abstract, much of it can be read topographically, almost as a document of the landscape from which the materials have been sourced.

Casasempere has been based in London since 1997 but he still works with materials bought from Chile. As Edmund de Waal has said, his work 'straddles Chile, his home country, and Britain, his adopted country of work. For he works with a deep understanding of the specificity of materials: although his material is local, his vision is international. His Chilean materials are used in a very contemporary way.' De Waal has also written that Casasempere makes sculpture 'that looks as if it is flux between solidity and fluidity'. This is a rare achievement. It is one we should celebrate.

In 2012 Casasempere installed a monumental field of ceramic and steel flowers, Out of Sync, at Somerset House in London. That piece has now been permanently installed in the Atacama Desert in Chile. More recent works include a series of works entitled Collective Memory, incorporating many tiny white forms recalling bleached vertebrae and suggest dessication and desolation but also purity, and are inspired by recent travels in the Atacama, one of the driest places on the planet. In some of these works the small individual forms are combined to create seemingly weightless 'cloud' structures. In other works many hundreds of the forms fill white clay boxes, suggestive of graves or burial chambers. A series of new abstract 'drawings' in clay on paper, Salares, exploit the chance processes that create texture as the material dries and recall aerial photographs of alluvial landscapes. Other new sculptures made from ceramic blocks are inspired by both the ruined architecture of Pre-Columbian archaeological sites and the tectonic shifts of vast geological bodies.

Fernando Casasempere was born in Santiago, Chile in 1958. He studied ceramics and sculpture in Barcelona in the 1980s, returning to Chile in 1986. He has been based in London since 1997. Casasempere's work has been exhibited internationally since the 1980s. Recent solo exhibitions include Out of Sync, Somerset House, London, 2012, Falla Ideologico, Museo de Arte Contemporaneo, Santiago, 2012, and Bricks and Mortar, New Art Centre, Roche Court, Salisbury, 2011. Casasempere's work is in international collections including the Victoria & Albert Museum, London and the Museu Nacional de Bellas Artes, Santiago.

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Featured Artworks

View All (19)
Untitled (Walls series) by Fernando Casasempere contemporary artwork Fernando CasasempereUntitled (Walls series), 2017 Porcelain and mixed media
86 x 82 x 16 cm
Parafin
Broken Line by Fernando Casasempere contemporary artwork Fernando CasasempereBroken Line, 2017 Porcelain and mixed media
15 x 150 x 13 cm
Parafin
Untitled (Walls series) by Fernando Casasempere contemporary artwork Fernando CasasempereUntitled (Walls series), 2017 Porcelain and mixed media
84 x 84 x 19 cm
Parafin
Natura Morta 10 by Fernando Casasempere contemporary artwork Fernando CasasempereNatura Morta 10, 2018 Porcelain
63 x 73 x 13 cm
Parafin
Natura Morta 9 by Fernando Casasempere contemporary artwork Fernando CasasempereNatura Morta 9, 2018 Porcelain
68 x 63 x 12 cm
Parafin
Natura Morta 8 by Fernando Casasempere contemporary artwork Fernando CasasempereNatura Morta 8, 2018 Porcelain
67 x 58 x 33 cm
Parafin
Natura Morta 7 by Fernando Casasempere contemporary artwork Fernando CasasempereNatura Morta 7, 2018 Porcelain
70 x 65 x 14.5 cm
Parafin
Natura Morta 6 by Fernando Casasempere contemporary artwork Fernando CasasempereNatura Morta 6, 2018 Stoneware and porcelain
72 x 66 x 12 cm
Parafin

Recent Exhibitions

Contemporary art exhibition, Fernando Casasempere, Natura Morta at Parafin, London
Closed
23 November 2018–2 February 2019 Fernando Casasempere Natura Morta Parafin, London

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