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Sharjah Biennial 14: Leaving the Echo Chamber Ocula Report Sharjah Biennial 14: Leaving the Echo Chamber 15 Mar 2019 : Stephanie Bailey for Ocula

In Meiro Koizumi's three-channel video installation, The Angels of Testimony (2019), the central frame features an interview with Hajime Kondo about his time as a solider of the Imperial Japanese Army during the Second Sino-Japanese War. The conversation centres on war crimes perpetrated in China, including the beheading of Chinese prisoners for...

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Diana Campbell Betancourt Ocula Conversation Diana Campbell Betancourt

Diana Campbell Betancourt is a curator working predominantly across South and Southeast Asia. Since 2013 she has been the founding artistic director of the Samdani Art Foundation and chief curator of the Dhaka Art Summit in Dhaka, Bangladesh, a transnational art event that has grown in size and scale ever since its first edition in 2012. Backed by...

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Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art Ocula Report Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art 7 Mar 2019 : Mike Pinnington for Ocula

China, home to 802 million internet users, is subject to sophisticated online censorship. This shrouded state of affairs, unsurprisingly perhaps, serves to reinforce stereotypes around conformity elsewhere. Any realm, digital or otherwise, subject to such strict scrutiny must necessarily be bland and uncritical, right? I was mulling over such...

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Browse Artworks

Shifting Stacks by Henrik Eiben contemporary artwork Henrik EibenShifting Stacks, 2018 Watercolour on paper
88 x 65.5 cm
Galerie Christian Lethert
Patience by Henrik Eiben contemporary artwork Henrik EibenPatience, 2018 Watercolour on paper
110 x 96.5 cm
Galerie Christian Lethert
Dropit (Armchair) by Henrik Eiben contemporary artwork Henrik EibenDropit (Armchair), 2016 Cashmere, car lacquer, felt, leather, wood, aluminium
220 x 176 x 9 cm
Galerie Christian Lethert
Double Rotation by Henrik Eiben contemporary artwork Henrik EibenDouble Rotation, 2017 Wood, mouth-blown glass, silicone
110 x 120 x 15 cm
Galerie Christian Lethert
New Haven by Henrik Eiben contemporary artwork Henrik EibenNew Haven, 2018 Watercolour on paper
27.3 x 37 cm
Galerie Christian Lethert
Black Forest by Henrik Eiben contemporary artwork Henrik EibenBlack Forest, 2018 Mouth-blown glass, Tiffany glass, steel, oak, silicone
208 x 180 x 17 cm
Galerie Christian Lethert
Tom Boy, Great Joy Series by Henrik Eiben contemporary artwork Henrik EibenTom Boy, Great Joy Series, 2012 Copper and acrylic paint
155 x 30 x 30 cm
Bartha Contemporary
Ful Stop by Henrik Eiben contemporary artwork Henrik EibenFul Stop, 2016 Watercolour and crayon on paper
22.3 x 29 cm
Bartha Contemporary
The Numbers by Henrik Eiben contemporary artwork Henrik EibenThe Numbers, 2016 Watercolour on paper
42 x 29 cm
Bartha Contemporary
You In All Directions by Henrik Eiben contemporary artwork Henrik EibenYou In All Directions, 2016 Watercolour on paper
47 x 36 cm
Bartha Contemporary
Identikit by Henrik Eiben contemporary artwork Henrik EibenIdentikit, 2016 Watercolour and crayon on paper
62 x 47.2 cm
Bartha Contemporary
Triptych: Big Elie by Henrik Eiben contemporary artwork Henrik EibenTriptych: Big Elie, 2015 Chequer and pear wood
50 x 18 x 9 cm
Bartha Contemporary
Condo by Henrik Eiben contemporary artwork Henrik EibenCondo, 2015 Lacquer and magnets on MDF, polystyrol and steel
220 x 176 x 2 cm
Bartha Contemporary
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