Through a variety of media such as sculpture, painting, and photography, Idris Khan's work explores the layering of methods, experience and meaning. Drawing from a variety of source material ranging from art and music to theology and philosophy, Kahn creates new forms and concepts through superimposition and augmentation.
Read MoreWhile the artist sees his practice as been situated in the medium of painting, he often uses photomechanical techniques of reproduction. He often scans and photographs his source material and meticulously manipulates their qualities to achieve a certain intensity, sometimes creating ethereal C-prints in the process.
In the past, he has photographed or scanned secondary source material to create works such as every... page of the Quran (2004), Struggling to Hear.... After Ludwig van Beethoven Sonatas (2005), and every... William Turner postcard from Tate Britain (2004). The source material is as reflected in the title of these works.
Khan has also branched into sculpture, sometimes sandblasting texts, prayers, and scores onto steel plates and slabs to interrogate how cultural and historical material can be joined together through objects.
His honeycomb and carbon sculpture Cell (2017) takes inspiration from Saydnaya, Syria's most brutal prison. This towering four-metre tall sculpture reflects on solitary confinement and the spaces that inmates occupy. Composed of 15 columns, Khan's sculpture looks almost impenetrable, but upon closer inspection, the viewer catches a glimmer of hope as light is allowed to pass through its cracks.
In 2016, Khan designed the 42,000 m2 memorial sculpture at Abu Dhabi's most prominent landmark, Wahat Al Karama. This massive sculpture, designed to reference unity and honour soldiers of the UAE, is composed of 20,000 cubic meters of concrete, over 5,000 tonnes of steel, and over 120km of cables. It contains seven aluminum-encased steel tablets etched with poetry written by emirs of the country.
In 2019, Khan completed a public sculpture project in London by St. George City Ltd in collaboration with London Borough of Southwark. The eight-metre aluminium sculpture, 65,0000 Photographs, is composed of stacks of metal sheets in the same size as photographic prints increasing in size.
