British artist Idris Khan OBE is known for his multi-layered photographs, paintings, and sculptures that take on a variety of source material, ranging from musical scores to theological texts.Read More
Khan was born in 1978 in Birmingham, England. In 2000, he received a BA in Photography from the University of Derby. He went on to receive his MFA with a Distinction in Research from the Royal College of Art, London in 2004.
Khan was appointed as an Officer of the Order of the British Empire for his contributions in the art field in 2017. In the same year, he was awarded the American Architecture Prize for his design of Abu Dhabi's Wahat Al Karama, a monument at the centre of a new memorial park to commemorate soldiers of the United Arab Emirates. In 2018, he was commissioned by the British Museum for their first site-specific artwork entitled 21 Stones.
Through a variety of media such as sculpture, painting, and photography, Idris Khan's work explores the layering of methods, experience and meaning. Drawing from a variety of source material ranging from art and music to theology and philosophy, Kahn creates new forms and concepts through superimposition and augmentation.
While the artist sees his practice as been situated in the medium of painting, he often uses photomechanical techniques of reproduction. He often scans and photographs his source material and meticulously manipulates their qualities to achieve a certain intensity, sometimes creating ethereal C-prints in the process.
In the past, he has photographed or scanned secondary source material to create works such as every... page of the Quran (2004), Struggling to Hear.... After Ludwig van Beethoven Sonatas (2005), and every... William Turner postcard from Tate Britain (2004). The source material is as reflected in the title of these works.
Khan has also branched into sculpture, sometimes sandblasting texts, prayers, and scores onto steel plates and slabs to interrogate how cultural and historical material can be joined together through objects.
His honeycomb and carbon sculpture Cell (2017) takes inspiration from Saydnaya, Syria's most brutal prison. This towering four-metre tall sculpture reflects on solitary confinement and the spaces that inmates occupy. Composed of 15 columns, Khan's sculpture looks almost impenetrable, but upon closer inspection, the viewer catches a glimmer of hope as light is allowed to pass through its cracks.
In 2016, Khan designed the 42,000 m2 memorial sculpture at Abu Dhabi's most prominent landmark, Wahat Al Karama. This massive sculpture, designed to reference unity and honour soldiers of the UAE, is composed of 20,000 cubic meters of concrete, over 5,000 tonnes of steel, and over 120km of cables. It contains seven aluminum-encased steel tablets etched with poetry written by emirs of the country.
In 2019, Khan completed a public sculpture project in London by St. George City Ltd in collaboration with London Borough of Southwark. The eight-metre aluminium sculpture, 65,0000 Photographs, is composed of stacks of metal sheets in the same size as photographic prints increasing in size.
Idris Khan has held solo exhibitions and participated in group exhibitions at important art institutions, including at the British Museum, London; K20, Düsseldorf; Kunsthaus Murz, Austria; and The Whitworth Art Gallery, Manchester.
Kahn's work has been collected by major institutions such as LACMA, Los Angeles; Saatchi Gallery, London; Solomon Guggenheim Museum, New York; and Art Gallery of New South Wales, Sydney.
Arianna Mercado | Ocula | 2021
Many galleries struggled with their doors closed, and not just financially. But they also adapted new ways of showing and selling art.
Members of The Art Dealers Association of America (ADAA) joined forces for The Art Show at the end of February (27 February–1 March 2020). The 2020 iteration saw more than half of its presentations dedicated to a single artist and 19 exhibitions focused on female artists, in addition to vibrant thematic and group surveys.
Singapore Art Week returns from 11 to 19 January 2020 with a host of island-wide events, at the centre of which is the second edition of S.E.A. Focus (16–19 January 2020) at Gillman Barracks, showcasing the best of contemporary art in Southeast Asia.
Rather than scrolling through a million images at a dizzying rate, the sculpture itself asks us to pause for a moment in quiet contemplation. Its textured surface, which appears almost frayed, echoes
Art is more often a conversation than a monologue. Great and not-so-great artists have always wanted to surround themselves with paintings and objects that can speak to their own creative efforts. The
Idris Khan has built his reputation in multiple layers. He repeatedly scrawls or stacks images, creating hypnotic haunting palimpsests, buzzing and charged, dense with history and cultural memory. Thi
Residing right across Sheikh Zayed Grand Mosque, the UAE capital’s most prominent landmark, Wahat Al Karama pays tribute to those who gave their lives in support of their country’s sovereignty, dign