Selected solo exhibitions include: Pulse Meridian Foliation, REDCAT, Los Angeles (2023); Scab Diagram, The Modern Institute, Glasgow (2021); Thalweg, Bridget Donahue, New York (2020); Polyphonic Shadow Cloth, LC Queisser, Tbilisi (2018); Sound Talisman, Bridget Donahue, New York (2017); Traditional Object, Soccer Club Club, Chicago, Illinois (2013); Limpia, Soccer Club Club, Chicago, Illinois (2012).
Read MoreSelected Group Exhibitions include: Whitney Biennial 2022: Quiet as It's Kept, Whitney Museum of American Art, New York (2022); unFlagging, Ballroom Marfa, Marfa (2020); It Remains an Open Horizon, LC Queisser, Tbilisi (2020); Psychedelic Healing Center, Essex Flowers, New York (2019); Out of Easy Reach, Gallery 400, Chicago (2018); Alan Shields Project, Van Doren Waxter, New York (2018); The Freedom Principle: Experiments in Art and Music, 1965 to Now, Institute of Contemporary Art, Philadelphia (2017) and Museum of Contemporary Art, Chicago (2016); Material Issue, KMAC Museum, Louisville (2016); among others.
Alvarado also plays harmonium in the ecstatic-minimalist band Natural Information Society. They have performed in numerous venues including: Copenhagen Jazz Festival, Copenhagen, Denmark (2019); Pitchfork, Chicago (2018); Rewire, Netherlands (2018); Institute of Contemporary Art, Philadelphia (2017) and Serralves Museum, Portugal (2016). In addition to releasing albums on Eremite Records & Drag City Records, she has also performed with Theaster Gates's Black Monks at Palais De Tokyo (2019) and Documenta 13 (2012); and in Simon Starling's play At Twilight, Common Guild, Glasgow (2016) and Japan Society, New York (2017).
Text courtesy The Modern Institute.
