Mathaman Marika was an important ceremonial man and a distinguished artist. He developed his own particular style for painting the Djaŋkawu’s travels to Yalangbara, the Morning Star ceremony, and the Wuyal, the Sugarbag Spirit stories. He also regularly painted the Wagilag Sisters associated with the site of Marwuyu in central Arnhem Land. The rights to paint this were apparently established with the Manhdalpuy clan early in the twentieth century by Mathaman’s grandfather during an exchange of ceremonial songs and paintings. The younger brother of Mawalan Marika, Mathaman succeeded his brother as leader of the Rirratjiŋu clan and representative of the Yolŋu in the Gove land rights case. In 1962–1963, along with fifteen other Yolŋu artists, Mathaman worked on the Yirrkala Church Panels representing the two complementary moieties of the Yolŋu world, Dhuwa and Yirritja.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services