Ocula MagazineContentsView All
Featured ContentView All
Taloi Havini: Reclaiming Space and History Ocula Conversation
In Partnership with Artspace Sydney
Taloi Havini: Reclaiming Space and History By Ruth McDougall, Sydney

Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .

Fade out copy.
Read More
Sydney Biennale Connects Here with Everywhere Latest Ocula Report Sydney Biennale Connects Here with Everywhere By Soo-Min Shim, Sydney

'This year's Biennale of Sydney seems like a corrective,' writes Soo-Min Shim, 'prioritising autonomy in an international exhibition format that has all too often omitted or sidelined First Nations artists.'

Fade out copy.
Read More
Hell is a Place on Earth: P·P·O·W Looks to History in Context of Covid-19 Ocula Insight Hell is a Place on Earth: P·P·O·W Looks to History in Context of Covid-19 By Stephanie Bailey, London

In the United States, parallels have been drawn between the HIV/AIDS crisis and what is unfolding with Covid-19. These connections feed into P·P·O·W's online exhibition, Hell is a Place on Earth. Heaven is a Place in Your Head .

Fade out copy.
Read More
HomePage Artists

b. 1981, New Zealand

Matthew Allen Biography

Born in Auckland, 1981, Matthew Allen is a Sydney based painter. He completed a Master of Visual Arts degree in 2006, after previously having graduated with a Bachelor of Visual Arts (Class 1 Honours) at Sydney College of the Arts in 2004. He currently lives and works in Amsterdam, Netherlands.

Read More

Mathew Allen’s paintings form an ongoing inquiry into the materiality of paint upon canvas and the fundamentality of painting itself: colour, medium and process. Purity of medium and the experience of colour form the kernel of the artist’s abstract approach. The paintings are composed of a ground colour coated in transparent or translucent glazes, producing subtle, atmospheric gradients of tone. Devoid of any formal composition and physical traces of the artist’s hand, the works recall the aesthetic of abstract expressionism and the colour field painters of the Washington colour school. Their purity of colour, form and expression is somewhat therapeutic, tapping into the viewer’s subjectivity by triggering unique sensory and emotional engagement.

Allen’s work was exhibited in Drifts, Witte Arena, Amsterdam (2014); Collection 4, Articulate Project Space, Sydney (2013); Painting as Presence, MOP Gallery, Sydney (2012); Contemporary Visions, Beers Lambert Gallery, London (2012); and Ruminations on the End, SNO Contemporary Art Projects, Sydney (2012). In 2013 Allen was a finalist in 100 Painters of Tomorrow at Beers Lambert Gallery, London; the Kogarah Art Prize, Sydney and in the Wilson Art Award, Trinity College in Lismore, NSW. In 2012, Allen was awarded a residency at The Moya Dyring Studio, Cite International des Arts, Paris, France. His work is included in a number of collections throughout Australia and Europe including: Artbank, Sydney; Ipswich Art Gallery, Queensland; Mark Rothko Centre, Latvia; James Wallace Arts Trust, New Zealand; and the Steensen Varming Collection, Sydney.

Matthew Allen In Related Press

6 highlights from Art Stage Jakarta 2017 Related Press 6 highlights from Art Stage Jakarta 2017 8 August 2017, Art Asia Pacific

Indonesia's largest international art fair, Art Stage Jakarta, has announced its line-up ahead of its second edition in August 2017. Art Stage Jakarta features a range of leading Indonesian and international galleries, as well as specific art projects by Indonesian, Southeast Asian and European artists. Art Radar previews some of the fair's...

Fade out copy.
Read More

Sign up to be notified when new artworks and exhibitions by Matthew Allen are added to Ocula.

WeChat

Scan the QR Code via WeChat to follow Ocula's official account.

Scan to follow Ocula on WeChat.
iCal GoogleYahooOutlook