Ocula MagazineContentsView All
Featured ContentView All
Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

Fade out copy.
Read More
Wong Ping: Hong Kong Fables Ocula Conversation Wong Ping: Hong Kong Fables

There is something irrepressibly compelling about the lewd animated videos of Wong Ping. Is it their flat surfaces rendered in popping colours? Or their dark narratives that resonate with the deepest recesses of the human psyche? They have been included in an impressive repertoire of group exhibitions in recent years, including One Hand Clapping at...

Fade out copy.
Read More
Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

Fade out copy.
Read More

Michael Dean

b. 1977, United Kingdom

Michael Dean (b. 1977, Newcastle Upon Tyne) lives and works in London.

In 2016, Dean was a Turner Prize nominee and in 2018 was nominated for the Hepworth Prize for Sculpture. In 2019, Dean will have a solo shows at Museo Rufino Tamayo, Mexico City and at S.M.A.K., Ghent, Belgium, and participate in a group show at Palais des Beaux- Arts, Paris.

Recent solo shows include: Michael Dean: Laughing for Crying, St Carthage Hall, Lismore Castle Arts, Lismore (2019); Contemporary Sculpture: Sam Anderson & Michael Dean, Boca Raton Museum of Art, Florida, US (two-person with Sam Anderson, 2019); Having you on, BALTIC Centre for Contemporary Art, Gateshead (2018); ShanghArt Gallery, Shanghai (2018); Four Fucksakes, Herald St | Museum St, London (2017); Teaxths and Angeruage, Portikus, Frankfurt (2017); Lost True Leaves, Nasher Sculpture Center, Dallas (2016); Sic Glyphs, South London Gallery, London (2016); Stamen Papers, Fondazione Giuliani, Rome (2016); Qualities of Violence, De Appel Arts Centre, Amsterdam (2015); Jumping Bones, Extra City Kunsthal, Antwerp (2015); HA HA HA HA HA HA, Kunst Forum Ludwig, Aachen (2014); The Introduction of the Muscle, Arnolfini, Bristol (2013); Cubitt, London (2012); Henry Moore Institute, Leeds (2012); Kunstverein Freiburg, Freiburg (2011); Serpentine Gallery Pavilion, London (2011) and Nomas Foundation, Rome (2010).

Group shows include: Summer Exhibition 2019, Royal Academy of Art, London (2019), Scripts, Bielefelder Kunstverein, Bielefeld (2018); Give Up The Ghost, Baltic Triennial 13, Tallinn Art Hall, Tallinn (2018); Hepworth Prize for Sculpture 2018, The Hepworth Wakefield, Wakefield (2018); Raymond, Manifesta 12, Grand Hotel et Des Palmes, Palermo (2018); Alexandra Bircken, Josh Brand, Matthew Darbyshire, Michael Dean, Cary Kwok, Amalia Pica, Nicole Wermers, Herald St | Museum St, London (2018); Against The Wall?, S.M.A.K., Ghent (2018); Skulptur Projekte, Münster (2017); More Than Just Words [On the Poetic], Kunsthalle Wien, Vienna (2017); Zeno X Gallery, Antwerp (2017); Turner Prize 2016, Tate Britain, London (2016); Pierre Guyotat: La matière de nos œuvres, Galerie Azzedine Alaïa, Paris (2016); Pure Fiction, Marian Goodman Gallery, Paris (2016); Concrete Islands, Kayne Griffin Corcoran, Los Angeles (2016); House of Commons, Portikus, Frankfurt (2016); The Language of Things, Public Art Fund - City Hall Park, New York (2016); Par tibi, Roma, nihil, Nomas Foundation, Rome (2016); Albert the Kid Is Ghosting, David Roberts Art Foundation, London (2015); Sculptures Also Die, curated by Lorenzo Benedetti, CCC Strozzina, Florence (2015); The Noing Uv It, Bergen Kunsthall, Bergen (2014); MIRRORCITY, curated by Stephanie Rosenthal, Hayward Gallery, London (2014); Manners of Matter, curated by Chris Sharp, Salzburger Kunstverein, Salzburg (2014); Thousand Doors, curated by Iwona Blazwick, Whitechapel at The Gennadius Library, Athens (2014); A History of Inspiration, curated by Adnan Lyildiz, Palais de Tokyo, Paris (2013); A Dying Artist, Institute of Contemporary Arts, London (2011); Beyond the Fragile Geometry of Sculpture, curated by Lorenzo Benedetti, De Vleeshal, Middelburg (2011); We Will Live, We Will See, curated by Pavel S. Pys, Zabludowicz Collection, London (2011) and Sculpture Also Dies, curated by Lorenzo Benedetti, Kunsthalle Mulhouse, Mulhouse (2010).

Fade out copy.
Read More

Featured Artworks

View All (25)
O (Working Title) by Michael Dean contemporary artwork
Michael DeanO (Working Title), 2019 Reinforced concrete, steel, paint, PVA, cement
196 x 70 x 68 cm
Herald St
shore sake (Working Title) by Michael Dean contemporary artwork
Michael Deanshore sake (Working Title), 2017 Concrete, cable ties, steel, paper pages, lock, drink can
215 x 40 x 58 cm
Andrew Kreps Gallery
LOL (Working Title) by Michael Dean contemporary artwork
Michael DeanLOL (Working Title), 2018 Concrete, steel reinforcement, plastic, cable ties, publications, stickers
181 x 127 x 80 cm
Andrew Kreps Gallery
lol (Working Title) by Michael Dean contemporary artwork
Michael Deanlol (Working Title), 2018 Concrete, steel reinforcement, plastic, padlocks cable ties, scene tape
185 x 90 x 48 cm
Herald St
LOLLOLLOL (Working 2018
Title) by Michael Dean contemporary artwork
Michael DeanLOLLOLLOL (Working 2018 Title), 2018 Concrete, steel reinforcement, plastic, padlocks, bike locks, cable ties, publications, stickers, grass
178 x 165 x 90 cm
Andrew Kreps Gallery
Lols (Working Title) by Michael Dean contemporary artwork
Michael DeanLols (Working Title), 2018 Concrete, steel reinforcement, plastic, padlocks, stained publications
215 x 118 x 100 cm
Andrew Kreps Gallery
lol (Working Title) by Michael Dean contemporary artwork
Michael Deanlol (Working Title), 2018 Concrete, steel reinforcement, plastic, ink stained publication, padlocks, cable ties
190 x 66 x 52 cm
Andrew Kreps Gallery
L (Working Title) Cursive by Michael Dean contemporary artwork
Michael DeanL (Working Title) Cursive, 2017 Concrete, steel reinforcement, ink soaked publication (ILO VEY), paperback publication (ILO VEY), cable ties, U Lock, chain lock, vinyl stickers, custom made plastic carrier bag
176 x 130 x 102 cm
Andrew Kreps Gallery

Recent Exhibitions

View All (5)
Contemporary art exhibition, Group Exhibition, White Flash at ShanghART, Beijing
Closed
5–31 August 2018 Group Exhibition White Flash ShanghART, Beijing
Contemporary art exhibition, Group Exhibition, Sculptures at Andrew Kreps Gallery, New York
Closed
12 July–10 August 2018 Group Exhibition Sculptures Andrew Kreps Gallery, New York
Contemporary art exhibition, Michael Dean, Analogue LOL at ShanghART, Shanghai
Closed
24 March–13 May 2018 Michael Dean Analogue LOL ShanghART, Westbund, Shanghai

Represented By

In Related Press

How Important is Art as a Form of Protest? Related Press How Important is Art as a Form of Protest? Frieze : 3 April 2017

Given the current political climate, we here at frieze have been reflecting on the role of art in responding to conflict. With this in mind, we invited a cross-section of artists, curators and writers to answer two deceptively simple questions: ‘How important is art as a form of protest?’ and ‘How effective is it as a conduit of change?’ Responses...

Fade out copy.
Read More
Why this year's Turner Prize is one of the best in ages Related Press Why this year's Turner Prize is one of the best in ages The Telegraph : 25 October 2016

It’s sculpture, but not as you know it. For years the shortlists for the annual £25,000 Turner Prize given to an artist under 50, with the runners-up each receiving £5,000, have focused on sound art, archive art, theory art, video art and other more or less immaterial forms. Last year’s competition, when much of the...

Fade out copy.
Read More
This years Turner Prize exhibition makes good on its potential to shock Related Press This years Turner Prize exhibition makes good on its potential to shock Hyperallergic : 5 October 2016

LONDON — It’s the same thing every year. The press has a field day with some sensational piece that challenges the very definition of art and the Turner Prize is front page news for the day — a rare event for any contemporary art show — bringing it to the attention of hundred of thousands, if not millions, of potential...

Fade out copy.
Read More

Be among the first to know when new artworks and exhibitions by Michael Dean are added to Ocula.

WeChat

Scan the QR Code via WeChat to follow Ocula's official account.

Scan to follow Ocula on WeChat.
iCal GoogleYahooOutlook