Rachel Garrard’s work is a journey in the liminal space between scientific research and esoteric practice. Through this she has developed a symbolic language that intimately connects the internal with the cosmic and universal. Garrard’s work is a multidisciplinary practice across painting, sculpture, video, performance, installation and holographic projection. The paintings are composed from natural substances, such as quartz, ash or rock powder pigment, that she personally collects and applies to raw linen through a process of fine layering. They comprise a distinct language of geometric and symbolic forms that she has developed over many years that are both personal imaginaries and loose interpretations of propositions in quantum physics, such as M-theory and supersymmetry. Assimilating these theories with experiences I access through meditation informs their composition. Her site-specific, ephemeral installations using nature as the medium, interweave these forms in relation to specific natural phenomena, their structure echoing the instability of form and the inevitability of change.
Garrard currently lives between New York and Mexico. She gained a BFA and MFA at Central Saint Martins, London. She has been awarded artist residencies at Casa Wabi, Oaxaca (2022), CCA Andratx, Mallorca (2022), The Josef and Anni Albers Foundation, CT (2018) Yaddo, NY (2018) and Millay Colony, NY (2018), The Center for the Holographic Arts at Ohio State University (2012) and the Atacama Telescope Farm in Chile (2011).
Her work has been exhibited at the Hammond Museum, NY (2019), Kraftwerk, Berlin (2017), Pioneer Works, NY (2016), the National Academy Museum, NY (2015), Métropole Musée d’Art Moderne, France (2015), Museo Universitario del Chopo, Mexico City (2014), Eyebeam Art and Technology Center (2012), Participant Inc. (2010), Yota Space Digital Arts Festival, St Petersburg (2010), and ICA, London (2009).

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