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Jess Johnson: Worlds Within Worlds Ocula Conversation Jess Johnson: Worlds Within Worlds

Geometric patterns, anthropomorphic characters, architectural spatial environments, and relics of the ancient world appear throughout Jess Johnson's artworks.Johnson's solo art-ventures began in drawing, but her long-term collaborative relationship with animator Simon Ward brings her drawings to life in videos and virtual reality. The animator has...

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Lagos Biennial 2019: Stories from Africa’s most Populous City Ocula Report Lagos Biennial 2019: Stories from Africa’s most Populous City 15 Nov 2019 : Jareh Das for Ocula

Under the artistic direction of Folakunle Oshun, the second edition of the Lagos Biennial (26 October–23 November 2019) includes works by over 40 Lagos-based and international artists, architects, and collectives. Curated by architect Tosin Oshinowo, curator and producer Oyindamola Fakeye, and assistant curator of photography at the Art Institute...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
Sponsored Content | Mazzoleni Gallery
Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Reena Saini Kallat

b. 1973, Indonesia

Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice – spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She is interested in the role that memory plays, in not only what we choose to remember but also how we think of the past. Kallat frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work has been the rubber stamp, both as an object and imprint, signifying the bureaucratic apparatus, capable at once of confirming as well as obscuring identities. Her more recent series using salt as a medium explores the tenuous yet intrinsic relationship between the body and the oceans, highlighting the fragility and unpredictability of existence.

Featured Artworks

Anatomy of Distance by Reena Saini Kallat contemporary artwork
Reena Saini KallatAnatomy of Distance, 2013 Acrylic paint, archival inks on handmade paper, wire, and measuring tape
94 x 137 cm
Not For Sale
Asia Art Archive
Walls of the Womb by Reena Saini Kallat contemporary artwork
Reena Saini KallatWalls of the Womb, 2007 Tie-dyed silk
594.4 x 114.3 cm
Sundaram Tagore Gallery

Recent Exhibitions

Contemporary art exhibition, Group Exhibition, Alterations Activation Abstraction at Sundaram Tagore Gallery, New York
28 February–30 March 2019 Group Exhibition Alterations Activation Abstraction Sundaram Tagore Gallery, Chelsea, New York

In Related Press

View All (9)
See the Majestic Displays at India’s First Contemporary Sculpture Park Related Press See the Majestic Displays at India’s First Contemporary Sculpture Park Hyperallergic : 5 September 2019

India's first-ever contemporary sculpture park has launched its second edition. The not-for-profit project, inaugurated in December 2017, transformed the Madhavendra Palace in Nahargarh Fort, Jaipur, into an expansive sculpture gallery. The sculptures are displayed throughout the majestic rooms and grand courtyards of the 18th-century fortress,...

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Cross-Cultural Exchanges Related Press Cross-Cultural Exchanges Aesthetica Magazine : 21 March 2017

The fourth edition of the Colombo Biennale, Conceiving Space, co-founded by the British gallerist Annoushka Hempel in 2009, and curated by Alnoor Mitha, a Senior Research Fellow (Asian Cultures) at the Manchester Metropolitan University, perpetuates its status as an important venue for showcasing strong voices from the Global South. Whilst the...

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The Contemporary Canvas Related Press The Contemporary Canvas The Indian Express : 4 February 2017

From being a forum that brings artists from all over the world to one that will focus on South Asia, India Art Fair (IAF) has changed its course over the nine editions since it debuted in 2008. The transformation was obvious when the four-day event opened on February 2 at NSIC grounds in Okhla.Dominated by artwork from India, followed by...

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Art served fresh, South Asian-style Related Press Art served fresh, South Asian-style The Hindu Business Line : 31 January 2017

The focus on South Asia appears to be an enduring one for the India Art Fair (IAF). In 2016, we saw a pronounced emphasis on Bangladesh and Nepal, and this year too we are going to see more art from these regions, as well as from Sri Lanka. This of course will be in addition to a strong presence of indigenous art from around India. Neha Kirpal is...

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