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Jess Johnson: Worlds Within Worlds Ocula Conversation Jess Johnson: Worlds Within Worlds

Geometric patterns, anthropomorphic characters, architectural spatial environments, and relics of the ancient world appear throughout Jess Johnson's artworks.Johnson's solo art-ventures began in drawing, but her long-term collaborative relationship with animator Simon Ward brings her drawings to life in videos and virtual reality. The animator has...

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Melati Suryodarmo: Performance Art as Trigger Ocula Conversation Melati Suryodarmo: Performance Art as Trigger

In 2012, Melati Suryodarmo opened Studio Plesungan in her native Surakarta, also known as Solo, the historic royal capital of the Mataram Empire of Java in Indonesia. Suryodarmo had returned to Indonesia from Germany, where she studied Butoh and choreography with Butoh dancer and choreographer Anzu Furukawa, time-based media with avantgarde...

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Lagos Biennial 2019: Stories from Africa’s most Populous City Ocula Report Lagos Biennial 2019: Stories from Africa’s most Populous City 15 Nov 2019 : Jareh Das for Ocula

Under the direction of Folakunle Oshun, the second edition of the Lagos Biennial (26 October–23 November 2019) includes works by over 40 Lagos-based and international artists, architects, and collectives. Curated by architect Tosin Oshinowo, curator and producer Oyindamola Fakeye, and assistant curator of photography at the Art Institute of...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
Sponsored Content | Mazzoleni Gallery
Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Ryan Gander

b. 1976, United Kingdom

Browse Artworks

Agent of Absence by Ryan Gander contemporary artwork
Ryan GanderAgent of Absence, 2019 LED holographic display
43 x 43 x 9 cm
Esther Schipper
Portrait of a blind artist obscured by flowers by Ryan Gander contemporary artwork
Ryan GanderPortrait of a blind artist obscured by flowers, 2014 4 colour offset lithography on Fabriano paper
76.5 x 57 cm
STPI
Portrait of a blind artist obscured by flowers by Ryan Gander contemporary artwork
Ryan GanderPortrait of a blind artist obscured by flowers, 2014 Offset lithography on Fabriano paper
76.5 x 57 cm
STPI
Portrait of a blind artist obscured by flowers by Ryan Gander contemporary artwork
Ryan GanderPortrait of a blind artist obscured by flowers, 2014 4 colour offset lithography on Fabriano paper
76.5 x 57 cm
STPI
Portrait of a blind artist obscured by flowers by Ryan Gander contemporary artwork
Ryan GanderPortrait of a blind artist obscured by flowers, 2014 Offset lithography on Fabriano paper
76.5 x 57 cm
STPI
Evidence of Absence by Ryan Gander contemporary artwork
Ryan GanderEvidence of Absence, 2019 Two Peli cases containing 12 glowing acrylic cubes each
Esther Schipper
Foreseeable future, or When the shadows go
the wrong way by Ryan Gander contemporary artwork
Ryan GanderForeseeable future, or When the shadows go the wrong way, 2019 Digital video (colour, silent), installation (3 curved OLED screens, ceiling mount arm); duration: 3 mins
Esther Schipper
So I see (So I see, the light is changing
constantly, as is your perspective) by Ryan Gander contemporary artwork
Ryan GanderSo I see (So I see, the light is changing constantly, as is your perspective), 2019 Acrylic panels, aluminium base and framework, LED lights, batteries, black painted wooden cube
132.5 x 110.4 x 110.4 cm
Esther Schipper
Diagram for Common Ground by Ryan Gander contemporary artwork
Ryan GanderDiagram for Common Ground, 2019 Carpet, 24 ticking cubes, stanchions
Esther Schipper
And for my next show by Ryan Gander contemporary artwork
Ryan GanderAnd for my next show, 2019 Vitrine recessed into a wall (glass, Plexiglas, LED light, 3D printed and spray-painted miniatures)
Esther Schipper
I... I... I… by Ryan Gander contemporary artwork
Ryan GanderI... I... I…, 2019 Animatronic mouse, hole in a wall, duration (animatronics): 7 min
19.4 x 24 x 28.2 cm
Esther Schipper
Monkey See, Monkey Do by Ryan Gander contemporary artwork
Ryan GanderMonkey See, Monkey Do, 2019 Polyurethane, paint, glass, fibre glass, steel, plastic, lamp oil, flame, timer
95 x 79 x 52 cm
Esther Schipper
On slow Obliteration, or Just a small trip in the real world by Ryan Gander contemporary artwork
Ryan GanderOn slow Obliteration, or Just a small trip in the real world, 2018 Coloured frip-dot panel, Powder-coated aluminium tray fram, rub-down transfer
86.1 x 100.5 x 7.6 cm
Taro Nasu
Separating Prototyping Experiences (Studio Apparition Scene) by Ryan Gander contemporary artwork
Ryan GanderSeparating Prototyping Experiences (Studio Apparition Scene), 2018 Screen print on acrylic, Inkjet print
60 x 44.3 x 4 cm
Lisson Gallery
I be...(xx) by Ryan Gander contemporary artwork
Ryan GanderI be...(xx), 2017 Antique mirror, marble resin
Lisson Gallery
Oculus animi index by Ryan Gander contemporary artwork
Ryan GanderOculus animi index, 2016 Plastic, animatronics
31 x 66.2 x 18 cm
Esther Schipper
Prototyping Experiences (Post Sex Bed Scene) by Ryan Gander contemporary artwork
Ryan GanderPrototyping Experiences (Post Sex Bed Scene), 2018 Framed aluminium printing plates, ink
54 x 61 x 4 cm (incl frame)
Taro Nasu
Prototyping Experiences (Museum Selfie Tableau) by Ryan Gander contemporary artwork
Ryan GanderPrototyping Experiences (Museum Selfie Tableau), 2018 Framed aluminium printing plates, ink
54 x 61 x 4 cm (incl frame)
Taro Nasu
Prototyping Experiences (Cafe Dream Sequence) by Ryan Gander contemporary artwork
Ryan GanderPrototyping Experiences (Cafe Dream Sequence), 2018 Framed aluminium printing plates, ink
54 x 61 x 4 cm (incl frame)
Taro Nasu
Prototyping Experiences (Studio Apparition Scene) by Ryan Gander contemporary artwork
Ryan GanderPrototyping Experiences (Studio Apparition Scene), 2018 Framed aluminium printing plates, ink
54 x 61 x 4 cm (incl frame)
Taro Nasu
Prototyping Experiences (Untouched Snow Memory) by Ryan Gander contemporary artwork
Ryan GanderPrototyping Experiences (Untouched Snow Memory), 2018 Framed aluminium printing plates, ink
54 x 61 x 4 cm (incl frame)
Taro Nasu
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