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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Over the past 25 years, Shelley Lasica has choreographed, directed and performed dance works. She has shown work throughout Australia and in cities including London, Manchester, Paris, Vienna and New York. 

LASICA has a rigorous commitment to the choreographic development of her work, hence the collaborations with peers, a serious engagement with other art forms, lengthy and intense development periods of works, the various contexts in which works are shown and the various ways in which spaces are occupied. 

In Related Press

'Superposition of three types' Related Press 'Superposition of three types' Art Almanac : 10 February 2017

Images converge then shift, contract and explode in a field of colour. Curated by Alexie Glass-Kantor and Talia Linz, Superposition of three types highlights the continuing effectiveness of colour and form in contemporary Australian art. Implicit in its title, the exhibition deals with the overlapping of different 'types' of practices; and the...

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